Cooee Art was established in 1981 and is Australia’s oldest exhibiting Indigenous art gallery.
The gallery has presented the finest Aboriginal and First Nations art through their exhibition program for over 40 years showing the work of over 150 individual artists.
The Cooee Art stockroom includes contemporary Aboriginal paintings, rare bark paintings and artefacts, early desert boards and acrylic paintings as well as sculpture and limited edition fine art prints.
Cooee Art Auctions provide an informed and professional approach to buying and selling art in the secondary market. We are a market leader with specialist knowledge and proven results.
We offer collectable Australian and International artworks for sale by auction and private treaty.
Cooee Art Auctions work with artists, galleries, museums and private collections bi-annually to curate and consign artworks across two separate departments – Indigenous Fine Art and Modern & Contemporary Fine Art.
Our auctions and previews for potential buyers and collectors are presented in the Cooee Art premium 480sqm hybrid gallery and auction space in Paddington.
Cooee Art has created a comprehensive art market analytics tool with easy navigation. The information we provide is designed to be an invaluable resource for art consultants, valuers, and industry professionals and to serve the interests of artists, galleries, institutions, art centres, collectors and researchers.
Each artist is ranked according to their career, and annual artist ranking index. Detailed profiles, market analysis and performance indicators are provided for a growing list of artists along with the artworks that have achieved their ten highest results at auction.
Current Indigenous Art Market
Provides professional advice on the Indigenous art market in line with other investment categories, thereby serving the interests of artists, galleries and collectors.
Cooee Art Founding Director Adrian Newstead OAM has more than 20 years experience in valuing Aboriginal art and artefacts (pre-contact to Contemporary).
EXHIBITION AND EVENT MANAGEMENT
Cooee Art curates and coordinates exhibitions on behalf of charitable organisations, commercial businesses and galleries in Australia and overseas utilising its extensive contacts with individual artists, artists’ agents, galleries and important private and public collections.
The gallery occupies the ground floor of a distinctive and prominently located building only minutes from Surry Hills, Redfern, and Waterloo’s art districts. Originally the headquarters and state-of-the-art factory of Foster Clark custard, 17 Thurlow St later became the studio and assembly for iconic Australian artist Ken Done. Now, Cooee Art’s flagship gallery, the space has been designed with a modern aesthetic whilst retaining elements of its past. A blank canvas, the space offers versatility to cater for a variety of purposes – including private events, art exhibitions, launch events, photo shoots, or performances.
Cooee Art was originally established in 1981 and runs a hybrid art model to represent and support artists in an ethical and sustainable way. We have two galleries, our flagship gallery in the heart of Aboriginal Sydney in Redfern and a boutique showroom gallery in Australia’s iconic Bondi Beach along with a seperate fine art auction wing, Cooee Art Auctions established in 2017. Cooee is now Australia’s oldest exhibiting Indigenous art gallery. Since first working with Australian Aboriginal artists in 1981, we have presented the finest First Nations art through exhibitions and events in Australia, Europe, and the Americas.
Dacou Gallery, NT
Torres Collection, SA
Gallery Savah, NSW Cat No. 433
Private Collection, NSW
signed by the artist lower left hand side
accompanied by a Gallery Savah certificate of authenticity
Artwork 55 x 77 cm : Frame 85 x 105 cm
Emily Kame Kngwarreye was born at Anilitye (Boundary Bore) and began paintings on canvas when in her late 70s. She was awarded the Australian Creative Fellowship in 1992 and continued painting prolifically until her death in 1996.
Reflected in this work is the Anooralya Yam, the most important plant in Emily’s custodianship. This hardy and fertile plant provides both a tuber vegetable and a seed bearing flower called Kame (Emily’s tribal name). It was the subject of a great number of Emily Kngwarreye's paintings, which were created, most familiarly, in a vast array of vibrant colours.
As the rain falls and water slowly flows along the broad shallow watercourse replenishing the soakage at Alalgura, the growth of the Anooralya Yam is exceptional and rapid, and accompanied by changing hues. In this painting however, Emily has characterised the roots of the yam in the plant's full period of maturity.
The ceremonies performed by the women of Emily’s clan teach survival, basic social codes and obligations, and reinforce the significance of this knowledge through their narrative.