Cooee Art was established in 1981 and is Australia’s oldest exhibiting Indigenous art gallery.
The gallery has presented the finest Aboriginal and First Nations art through their exhibition program for over 40 years showing the work of over 150 individual artists.
The Cooee Art stockroom includes contemporary Aboriginal paintings, rare bark paintings and artefacts, early desert boards and acrylic paintings as well as sculpture and limited edition fine art prints.
Cooee Art Auctions provide an informed and professional approach to buying and selling art in the secondary market. We are a market leader with specialist knowledge and proven results.
We offer collectable Australian and International artworks for sale by auction and private treaty.
Cooee Art Auctions work with artists, galleries, museums and private collections bi-annually to curate and consign artworks across two separate departments – Indigenous Fine Art and Modern & Contemporary Fine Art.
Our auctions and previews for potential buyers and collectors are presented in the Cooee Art premium 480sqm hybrid gallery and auction space in Paddington.
Cooee Art has created a comprehensive art market analytics tool with easy navigation. The information we provide is designed to be an invaluable resource for art consultants, valuers, and industry professionals and to serve the interests of artists, galleries, institutions, art centres, collectors and researchers.
Each artist is ranked according to their career, and annual artist ranking index. Detailed profiles, market analysis and performance indicators are provided for a growing list of artists along with the artworks that have achieved their ten highest results at auction.
Current Indigenous Art Market
Provides professional advice on the Indigenous art market in line with other investment categories, thereby serving the interests of artists, galleries and collectors.
Cooee Art Founding Director Adrian Newstead OAM has more than 20 years experience in valuing Aboriginal art and artefacts (pre-contact to Contemporary).
EXHIBITION AND EVENT MANAGEMENT
Cooee Art curates and coordinates exhibitions on behalf of charitable organisations, commercial businesses and galleries in Australia and overseas utilising its extensive contacts with individual artists, artists’ agents, galleries and important private and public collections.
The gallery occupies the ground floor of a distinctive and prominently located building only minutes from Surry Hills, Redfern, and Waterloo’s art districts. Originally the headquarters and state-of-the-art factory of Foster Clark custard, 17 Thurlow St later became the studio and assembly for iconic Australian artist Ken Done. Now, Cooee Art’s flagship gallery, the space has been designed with a modern aesthetic whilst retaining elements of its past. A blank canvas, the space offers versatility to cater for a variety of purposes – including private events, art exhibitions, launch events, photo shoots, or performances.
Cooee Art was originally established in 1981 and runs a hybrid art model to represent and support artists in an ethical and sustainable way. We have two galleries, our flagship gallery in the heart of Aboriginal Sydney in Redfern and a boutique showroom gallery in Australia’s iconic Bondi Beach along with a seperate fine art auction wing, Cooee Art Auctions established in 2017. Cooee is now Australia’s oldest exhibiting Indigenous art gallery. Since first working with Australian Aboriginal artists in 1981, we have presented the finest First Nations art through exhibitions and events in Australia, Europe, and the Americas.
Richard Bell is an Australian artist of Kamilaroi heritage and a political activist. Bell came to national attention after his painting Scientia E Metaphysica (Bell's Theorem) won the 2003 Telstra National Aboriginal & Torres Strait Islander Art Award. It prominently featured the text "Aboriginal Art – It's A White Thing".
The subject of this painting is the Olympic medal ceremony for the 200 metres in Mexico City on October 16, 1968. African American athletes Tommie Smith and John Carlos each raised a black-gloved fist during the playing of the US national anthem. While on the podium, Smith and Carlos, who had won gold and bronze medals respectively turned to face the US flag and then kept their hands raised until the anthem had finished. In addition, Smith, Carlos, and Australian silver medalist Peter Norman all wore human-rights badges on their jackets in what is regarded as one of the most overtly political statements in the history of the modern Olympics.
Australian Peter Norman was a five-time national 200-metres champion. The time he set in this event at the Olympic Games remains the Oceanian record to this day. Yet he is best known as the third athlete pictured in the famous photograph. After the final, Carlos and Smith had told Norman what they were planning to do during the ceremony. They asked Norman if he believed in human rights. He said he did and that he would stand with them. On the way to the medal ceremony, Norman saw the human rights badge being worn by a white member of the US Rowing Team, and asked him if he could wear it. It was Norman who suggested that Smith and Carlos share the black gloves used in their salute, after Carlos left his pair at the Olympic Village. This is the reason for Smith raising his right fist, while Carlos raised his left. Norman was not selected for the 1972 Summer