Cooee Art was established in 1981 and is Australia’s oldest exhibiting Indigenous art gallery.
The gallery has presented the finest Aboriginal and First Nations art through their exhibition program for over 40 years showing the work of over 150 individual artists.
The Cooee Art stockroom includes contemporary Aboriginal paintings, rare bark paintings and artefacts, early desert boards and acrylic paintings as well as sculpture and limited edition fine art prints.
Cooee Art Auctions provide an informed and professional approach to buying and selling art in the secondary market. We are a market leader with specialist knowledge and proven results.
We offer collectable Australian and International artworks for sale by auction and private treaty.
Cooee Art Auctions work with artists, galleries, museums and private collections bi-annually to curate and consign artworks across two separate departments – Indigenous Fine Art and Modern & Contemporary Fine Art.
Our auctions and previews for potential buyers and collectors are presented in the Cooee Art premium 480sqm hybrid gallery and auction space in Paddington.
Cooee Art has created a comprehensive art market analytics tool with easy navigation. The information we provide is designed to be an invaluable resource for art consultants, valuers, and industry professionals and to serve the interests of artists, galleries, institutions, art centres, collectors and researchers.
Each artist is ranked according to their career, and annual artist ranking index. Detailed profiles, market analysis and performance indicators are provided for a growing list of artists along with the artworks that have achieved their ten highest results at auction.
Current Indigenous Art Market
Provides professional advice on the Indigenous art market in line with other investment categories, thereby serving the interests of artists, galleries and collectors.
Cooee Art Founding Director Adrian Newstead OAM has more than 20 years experience in valuing Aboriginal art and artefacts (pre-contact to Contemporary).
EXHIBITION AND EVENT MANAGEMENT
Cooee Art curates and coordinates exhibitions on behalf of charitable organisations, commercial businesses and galleries in Australia and overseas utilising its extensive contacts with individual artists, artists’ agents, galleries and important private and public collections.
The gallery occupies the ground floor of a distinctive and prominently located building only minutes from Surry Hills, Redfern, and Waterloo’s art districts. Originally the headquarters and state-of-the-art factory of Foster Clark custard, 17 Thurlow St later became the studio and assembly for iconic Australian artist Ken Done. Now, Cooee Art’s flagship gallery, the space has been designed with a modern aesthetic whilst retaining elements of its past. A blank canvas, the space offers versatility to cater for a variety of purposes – including private events, art exhibitions, launch events, photo shoots, or performances.
Cooee Art was originally established in 1981 and runs a hybrid art model to represent and support artists in an ethical and sustainable way. We have two galleries, our flagship gallery in the heart of Aboriginal Sydney in Redfern and a boutique showroom gallery in Australia’s iconic Bondi Beach along with a seperate fine art auction wing, Cooee Art Auctions established in 2017. Cooee is now Australia’s oldest exhibiting Indigenous art gallery. Since first working with Australian Aboriginal artists in 1981, we have presented the finest First Nations art through exhibitions and events in Australia, Europe, and the Americas.
Gallery Gondwana, Alice Springs, NT Cat No. 10002DN Private Collection, NSW
Dorothy began creating works tracing the grid-like patterns of the salt encrustations on the Mina Mina clay pans in 1997, marking a significant artistic shift in her work. Over the following three-year period, her paintings became less and less contrived and increasingly spare, all detail pared back to the barest essentials. These new works compelled the spectators eye to dance across the painted surface, just as the Karntakulangu ancestral women danced in their hundreds across the country during the region’s creation.
As these works developed, Dorothy’s extraordinary spatial ability enabled her to create mimetic grids and lines of white dots (on a black ground) or black dots (on a white ground, such as in this lovely work), tracing the travels of her female ancestors as they danced their way, in joyous exultation, through the saltpans, Spinifex, and sand hills, clutching their digging sticks in outstretched hands.
Kathleen Petyarre has been quoted as saying ‘those Walpiri ladies, they’re mad about dancing, they go round and round and round dancing, they’re always dancing’. Little wonder that the surfaces of Dorothy’s canvases become dense rhythms of grids, as she mapped the paths of these dancing women.