VERA CAMERON - DJAMO
VERA CAMERON
DJAMO (CAMP DOG), 2019
76 x 20 x 10 cm
Pandanus and natural dyes,
REGION
Arnhem Land, NT
PROVENANCE
Maningrida Arts & Culture, NT
Art Leven, NSW
STORY
Vera Cameron is a Rembarrnga artist born in 1969. She works between Ankabarrbirri and Maningrida township. An accomplished fibre artist she is recognised for her vibrant palette, the finest of her weave and her oft large scale panel works.
The Djamo - dog - holds special mythological as well as practical significance for Rembarrnga people of Central Arnhem land particularly Rembarrnga women. The artist describes the special traditional relationship between women and dogs. The men used to go hunting with a spear and the women with a dog. If the men didn’t catch a kangaroo, the women would catch a goanna. If neither caught anything, then they could catch fish. If there was neither kangaroo nor goanna, then (they would eat) sugarbag. This is how it was long ago. In ancient times, yes, sugarbar, lily root, yam, goanna, sand goanna, fish. Don’t forget that long ago we didn’t know European food, we knew bush food. We used to grow from bush food.
Rembarrnga women have literally and metaphorically brought together strangs from their country and the mythology of their heritage to produce three dimensional fibre creatures filled with mystical significance. Dog, mermaid, rainbow serpent, blue tongue and fish multiplication spirits: each creature plays an important role in the clan’s cultural landscape.
Materials for this camp dog comes from the clan estate. Dayarr - pandanus - and rulk - grass - are the twines used for the creatures bodies. Warlppurrunggu - bush turkey - and nganarrngh - black cockatoo feathers provide bulkkan-na - hair. Marnarr - red, gamununggu - white -, garlba - yellow - ochres and roerroe - black ashes - are then carefully mixed and applied for colour. The use of local materials provides an integral link between the mythological nature of the creatures, which inhabit the country and their physical form.
