EMILY KAME KNGWARREYE - ALAGURA COUNTRY
EMILY KAME KNGWARREYE
ALAGURA COUNTRY, 1993
acrylic on linen
120 x 90 cm
PROVENANCE
Delmore Gallery, NT Cat No. 93C033
STORY
The Anooralya Yam plant is Emily Kngwarreye’s principal totem and the foundation of her most celebrated body of work. A vital food source across the arid lands north-east of Alice Springs, the yam is deeply valued for its resilience, its ability to stay fresh after harvesting and to endure beneath the earth during long, dry seasons. Its flowers and seeds, favoured by the Emu and ground into nourishing seed cakes, further emphasise its importance within both cultural and ecological systems. Emily’s distinctive double-dipped brushwork in this painting honours the yam’s constant return, acknowledging its dependable role in sustaining life in the desert.
Painted in March 1993, this work emerges from the ceremonial season at Alalgura, when women dance to ensure abundance in the year ahead. The green, yellow, and ochre-brown palette evokes the renewal of Country following summer rains, mapping the life force of plants pushing through the earth and the promise of food below the surface. Many of Emily’s finest works were created during this period of heightened cultural activity, when her paintings echoed the rhythms of ceremony and the collective energy of her community.
Emily Kame Kngwarreye is widely regarded as Australia’s most important and influential Aboriginal artist. Her extraordinary career, spanning just seven years until her passing in 1996 at the age of 86, reshaped contemporary Australian art. With their powerful painterly touch, profound cultural grounding, and radical originality, her works attracted international acclaim and continue to resonate with collectors, institutions, and audiences around the world.
ARTIST PROFILE
