RUTH NUNGARRAYI SPENCER - WARDAPI JUKURRPA (GOANNA DREAMING) - YARRIPILANGU
RUTH NUNGARRAYI SPENCER
WARDAPI JUKURRPA (GOANNA DREAMING) - YARRIPILANGU, 2022
61 x 30 cm
Synthetic Polymer Paint on Canvas
REGION
Yuendumu, NT
PROVENANCE
Warlukurlangu Artists, NT
Cooee Art Leven, NSW
STORY
This painting depicts a wardapi Jukurrpa' (sand monitor/gonna (Varanus gouldii] Dreaming). This dramatic Jukurrpa travels between Purturlu (Mount Theo), approximately 150kms north-northwest of Yuendumu, and Yarripilangu (Newhaven), which is approximately 100 kms southwest of Yuendumu. This painting focuses on the portion of the Jukurrpa that takes place at Yarripilangu, which is owned by Napaljarri/Nungarrayi women and Japaljarri/Jungarrayi men. The portion of the Jukurrpa at Purturlu belongs to Napanangka/Napangardi women and Japanangka/ Japangardi men.
This Jukurrpa tells the story of a Japangardi man named Wamaru who lived at Jarrardajarrayi, an area of country near Purturlu. This Japangardi man lived at Jarrardajarrayi near a soakage called Juntangkalpa. He travelled south to Yarripilangu and approached a group of 'karnta' (women) that were sitting down in a circle there. He wanted to woo a Nungarrayi woman named Yurlkuriny who was the wrong skin for him. By tribal law, this woman was his mother-in-law and their relationship would be taboo.
The Japangardi man wooed the Nungarrayi woman and they went up the hill at Yarripilangu where they made love. The earth there turned to
'ngunjungunju' (white ochre) and the man turned himself and all the 'karnta' (women) into wardapi' (goannas). The Japangardi man eventually brought the Nungarray woman back to Purturlu to live, even though they were the wrong skin for each other.
White ochre is still found on top of the hill at Yarripilangu and is used today for love magic and for ceremonial decoration. There's also a cave where you can see the shape of a gonna entering. There are beautiful groundwater springs on the east side of the Yarripilangu hill. A number of important Jukurrpa associated with mens' initiation ceremonies pass through Yarripilangu; these include 'karnta Jukurrpa' (womens' Dreaming), 'ngalyipi Jukurrpa' (snakevine [Tinospora smilacina] Dreaming), wati-jarra Jukurrpa' (two men Dreaming), and witi Jukurrpa' (ceremonial pole Dreaming).
In contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In paintings of this Jukurrpa, the group of women is often represented by concentric circles and 'U' shapes. Concentric circles can also illustrate wardapi' holes and the droppings they leave, while wardapi' tracks are usually represented by 'W' shapes.
ARTIST PROFILE
