SYDNEY OCEANIC ART FAIR 2023 Art Leven - 17 Thurlow St, Redfern, NSW 2016 14 December 2023 - 13 January 2024 Viewing Room SYDNEY OCEANIC ART FAIR 2023 14 December 2023 - 13 January 2024 Art Leven - 17 Thurlow St, Redfern, NSW 2016 Recognising our geographic location in the Pacific, this expanded Fair will appeal to a wider, more diverse range of art lovers and collectors of both historic and contemporary art from First Peoples globally. The fair will include booths displaying objects and artworks from PNG, Australia, South East Asia and many other countries. Cooee Art Leven is proud to host the highly successful, annual, Sydney Oceanic Arts Fair (SOAF) on behalf of of the Oceanic Art Society on Sunday 29th October (9am to 5pm). Recognising our geographic location in the Pacific, this expanded Fair will appeal to a wider, more diverse range of art lovers and collectors of both historic and contemporary art from First Peoples globally. SOAF will feature many genuine ethnographic rarities and collectibles from PNG, the Pacific, Australia, South East Asia and other countries, from a collection of Australia's prominent Oceanic Art dealers and collectors. For the first time, the Oceanic Art Society will also have a Gala Preview for vendors and members on Saturday 28th of October at 5pm. The Gala Preview will be a social event, with a live Auction hosted by Alex Philips and with drinks and hors d’oeuvres. Tickets for the Gala Preview are only $10, payable at the door. 28th October 5-7pm – 29th October 9-5pm Cooee Art Leven 17 Thurlow St Redfern, NSW, 2016 Contact: soaf@oceanicartsociety.org.au www.oceanicartsociety.org.au 0400 822 546 Contact us for more information: info@artleven.com

Artist Profile for Albury Jangala Dixon < Back Albury Jangala Dixon Albury Jangala Dixon ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE ALBURY JANGALA DIXON - TINGARI CYCLE Sold AU$0.00 top Anchor 1 PROFILE Albury Jangala Dixon ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Djawida Nadjongorle < Back Djawida Nadjongorle Djawida Nadjongorle ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE top Anchor 1 PROFILE Djawida Nadjongorle ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Ursula Napangardi Hudson < Back Ursula Napangardi Hudson Ursula Napangardi Hudson ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE URSULA NAPANGARDI HUDSON - PIKILYI JUKURRPA (VAUGHAN SPRINGS DREAMING) SOLD AU$260.00 URSULA NAPANGARDI HUDSON - PIKILYI JUKURRPA (VAUGHAN SPRINGS DREAMING) Sold AU$0.00 top Anchor 1 PROFILE Ursula Napangardi Hudson ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

NAIDOC WEEK AT WORK INC Work Inc. | North Sydney 30 June to 14 July 2023 Viewing Room NAIDOC WEEK AT WORK INC 30 June to 14 July 2023 Work Inc. | North Sydney RITA BEASLEY - WUTUNUGURRA LANDSCAPE price AU$1,990.00 WALTER JANGALA BROWN - TINGARI CYCLE Sold AU$840.00 ATHENA NANGALA GRANITES - YANJIRLPIRRI | NAPALJARRI-WARNU JUKURRPA Sold AU$0.00 RITA BEASLEY - WATER AROUND EPENARRA Sold AU$0.00 MARISSA NAPANANGKA ANDERSON - NGAPA JUKURRPA (WATER DREAMING) - PUYURRU Sold AU$0.00 CECILY NAPANANGKA MARSHALL - JANGANPA JUKURRA (BRUSH-TAIL POSSUM DREAMING)- ... price AU$1,260.00 MARGARET NANGALA GALLAGHER - YANKIRRI JUKURRPA (EMU DREAMING) price AU$460.00 JULIE NANGALA ROBERTSON - NGAPA JUKURRPA (WATER DREAMING) - PIRLINYARNU Sold AU$0.00 LORNA CORBETT - DRY GRASSES - LORNA CORBETT Sold AU$0.00 JULIE NANGALA ROBERTSON - NGAPA JUKURRPA (WATER DREAMING) - PIRLINYARNU price AU$850.00 ADA PULA BEASLEY - MY COUNTRY Sold AU$0.00 JESSIE BEASLEY - BUSH FLOWERS Sold AU$0.00 MARY PETERSON - BUSH FLOWER Sold AU$0.00 EX NAIDOC

GuruwiwiMithi Mithinari Guruwiwi Mithinari Guruwiwi 1929 - 1976 As a young man, Mithinari Guruwiwi learned to paint from famous Arnhem Land bark painter Mawalan Marika. Mithinari’s works have appeared in many significant overseas exhibitions including ‘Australian Aboriginal Art’ in Chicago, 1972, and ‘Aratjara – Art of the First Australians’ in Düsseldorf, London and Humlebaek, 1993–94. Mithinari Gurruwiwi is represented in all Australian state galleries and in the Kluge-Ruhe Aboriginal Art Collection in the United States. In 1976, he passed away at the young age of 45. Group Exhibitions: 2009 - Yirrkala artists Everywhen: bark paintings from the State Art Collection, featuring the following artists: Gungyuma Dhamurrandji, Larrtjanga Ganambarr, Birrikitji Gumana, Gawirrin Gumana, Malinyin Gumana, Mithinari Gurruwiwi, Djambawa Marawili, Wakuthi Marawili, Mathaman Marika, Mawalan Marika, Milirrpum Marika, Wandjuk Marika, Bokara Maymuru, Nanyin Maymuru, Narritjin Maymuru, Djutjatjuta Mununggurr, Mau Mununggurr, Watjung Munungirritj, Dula Ngurruwuthun, Dundiwuy Wanambi, Mithili Wanambi, Mungurrawuy Yunupingu at the Art Gallery of WA, Perth. 1995 - Miny'tji Buku Larrnggay, Paintings from the East, National Gallery of Victoria, Melbourne. 1994 - Yiribana, Art Gallery of New South Wales, Sydney.; Art of the Rainbow Snake, National Gallery of Victoria, Melbourne. 1993/4, ARATJARA, Art of the First Australians, Touring: Kunstammlung Nordrhein-Westfalen, Dusseldorf; Hayward Gallery, London; Louisiana Museum, Humlebaek, Denmark. 1989 - A Myriad of Dreaming: Twentieth Century Aboriginal Art, Westpac Gallery, Melbourne; Design Warehouse Sydney [through Lauraine Diggins Fine Art] ; Aboriginal Art: The Continuing Tradition, National Gallery of Australia, Canberra; Spirit in Land, Bark Paintings from Arnhem Land, National Gallery of Victoria.; Keepers of the Secrets, Aboriginal Art from Arnhemland, Art Gallery of Western Australia, Perth; Arnhem Land Dreaming, Bark Paintings from Tasmanian Collections, Tasmanian Museum and Art Gallery. 1988 - Yolngu, Aboriginal cultures of north Australia, The Royal Pavillion, Art Gallery & Museums, Brighton, United Kingdom.; The Inspired Dream, Life as art in Aboriginal Australia, Museum and Art Gallery of the Northern Territory and touring internationally. 1987 - Ancestors and Spirits, National Gallery of Australia, Canberra. 1984 - Aboriginal Bark Paintings from Arnhem Land, Newcastle Regional Gallery; Aboriginal Art, an Exhibition Presented by the Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra. 1975 - Australian Bark Painting, from the collection of Dr. Edward L. Ruhe, Meadow Brook Art Gallery, Oakland University, Rochester, Michigan, USA. 1974 to 1976 - Art of Aboriginal Australia, touring Canada, Rothmans of Pall Mall Canada Ltd. 1972 - Australian Aboriginal Art, Field Museum of Natural History, Chicago. 1970 - Australian Aboriginal Art, The Art Galleries, University of California at Santa Barbara, Santa Barbara. 1969 - Australian Aboriginal Art - The Louis A. Allen Collection, R. H. Lowie Museum of Anthropology, University of California, Berkeley; Australie, Osobnost Primitivni'ho Malire, Naprstkovo Muzeum, African and American Culture, Prague. 1963 - The Melbourne Moomba Festival, Exhibition of Aboriginal Art, presented by the Aborigines Advancement League, in conjunction with the Myer Emporium, Melbourne, Victoria.; Art of Arnhem Land, David Jones, Sydney. Bibliography: Allen, L., 1975, Time Before Morning: Art and Myth of the Australian Aborigines, Thomas Crowell Company, New York. ; Beresford, A., 1993, Arnhem Land Dreaming, Bark Paintings from Tasmanian Collections, exhib. cat. Tasmanian Museum and Art Gallery. ; Berndt, R. M. and Berndt, C. H. with Stanton, J., 1982, Aboriginal Australian Art, a Visual Perspective, Methuen Australia Pty Ltd, Sydney. ; Caruana, W. (ed.), 1989, Windows on the Dreaming, Ellsyd Press, Sydney. (C) ; Diggins, L. (ed.), 1989, A Myriad of Dreaming: Twentieth Century Aboriginal Art, exhib. cat., Malakoff Fine Art Press, North Caulfield, Victoria. ; Dussart, F., 1993, La Peinture des Aborigines D'Australie, Editions Parentheses, Marseille, France. ; Garside, S., 1984, Aboriginal Bark Paintings from Arnhem Land, Newcastle Regional Gallery, exhib. cat., Newcastle Regional Gallery, NSW. ; Groger-Wurm, H., 1973, Australian Aboriginal Paintings and their Mythological Interpretation, Australian Institute of Aboriginal Studies, Canberra. (C) ; Isaacs, J., 1987, 'Waiting for the mob from Balgo', Art Monthly Australia, June 1987, No.1 p.20-22. ; Kupka, K., 1972, Peintres Aborigines d'Australie, Societe des Oceanistes, Musee de l'Homme, Paris. ; 1993, Aratjara, Art of the First Australians: Traditional and Contemporary Works by Aboriginal and Torres Strait Islander Artists, exhib. cat. (conceived and designed by Bernard Luthi in collaboration with Gary Lee), Dumont, Buchverlag, Koln. (C) ; Neale, M., 1994, Yiribana, exhib. cat., Art Gallery of New South Wales, Sydney. (C) ; O'Ferrall, M., 1990, Keepers of the Secrets, Aboriginal Art from Arnhemland in the Collection of the Art Gallery of Western Australia, Art Gallery of Western Australia, Perth. (C) ; Ruhe, E. L., 1975, Australian bark painting, from the collection of Dr. Edward L. Ruhe, exhib. cat. Meadow Brook Art Gallery, Michigan, USA. ; Ryan, J., 1990, Spirit in Land, exhib. cat., National Gallery of Victoria, Melbourne. ; West, M.K.C., (ed.), 1988, The Inspired Dream, Life as art in Aboriginal Australia, exhib. cat., Queensland Art Gallery, Brisbane. ; 1974, Art of Aboriginal Australia, exhib. cat., Rothmans of Pall Mall Canada Limited. (C) See marke performance. Explore our artworks See some of our featured artworks below ANGELINA PWERLE NGAL - UNTITLED ( BUSH RAISIN MAN) Price AU$3,000.00 ALISON (JOJO) PURUNTATAMERI - WINGA (TIDAL MOVEMENT/WAVES) Out of stock LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KURLURRNGALINYPA JUKURRPA Price From AU$13,500.00 BRONWYN BANCROFT - UNTITLED Out of stock JOSHUA BONSON - SKIN: A CELEBRATION OF CULTURE Price AU$8,500.00 BOOK - KONSTANTINA - GADIGAL NGURA Price From AU$99.00 FREDDIE TIMMS - MOONLIGHT VALLEY Price AU$35,000.00 NEIL ERNEST TOMKINS - BURN THERE, DON'T BURN THERE Price AU$7,000.00 SHOP NOW

Artist Profile for Betty Carrington < Back Betty Carrington Betty Carrington ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE top Anchor 1 PROFILE Betty Carrington ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Sharlene Nakamarra Nelson < Back Sharlene Nakamarra Nelson Sharlene Nakamarra Nelson ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE top Anchor 1 PROFILE Sharlene Nakamarra Nelson ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

TjapangatiWimmi Wimmitji Tjapangati Wimmitji Tjapangati 1924 - 2000 Wimindji, Wimminji, Tjapangarti, Tjapangardi Born in Kutakurtal around 1924, Wimmitji Tjapangarti moved to the old Balgo mission in 1943 as a young initiated man. He began painting alongside his wife Eubena Nampitjin when in his 60’s and together, they created a unique shared aesthetic 'quite different from that of the other Balgo painters' (Watson 1997: 49). Their early works, produced at the Adult Education Centre, were predominantly rendered in a palette of browns with areas of white dotting and lines, which from the outset were identifiably more detailed and refined than works by their contemporaries. As the Warlayirti Art Centre developed during the early 1990’s from a one room ‘donger’ and moved into a former accommodation block, the two artists began to paint more individually and their works exhibited growing differentiation. While the artistic evolution of Balgo art was influenced by the progressive introduction of new acrylic paints, Wimmitji did not employ the floral colours, pastel greens and pinks, which were available from 1989 onwards. He did however add new shades of red and yellow in creating his minutely detailed cartographic renditions of his country and the stories relating to it. Despite speaking little, if any, English, Wimmitji’s intimate knowledge of his country and Dreaming narratives proved extremely helpful in assisting Ronald and Catherine Berndt (1989) with their book The Speaking Land: Myth and Story in Aboriginal Australia. He also worked with Father Anthony Peile to compile the Kukatja dictionary and various articles on medical subjects. Wimmitji’s paintings are visually complex and contain a vast amount of knowledge within each single composition. The intricacy and textural richness were achieved with spontaneous outpourings of dotting, and myriad surface treatments. The disciplining force was the spiritual dimension of the story, related by a cultural custodian of the highest degree. Wimmitji was a mapan (traditional healer) of unsurpassed knowledge and ceremonial importance amongst the members of the Wangkajunga society. His painting style and earthy palette gave the best of his works a look of great age and this, no doubt, added to perceptions of their authenticity, 'though from his own perspective it would have been drawn from his deep involvement with the law' (Johnson 1994: 209). Wimmitji continued painting until his death in 2000 despite his frailty and almost total blindness from the mid 1990’s onwards. In this later period of his life he seemed to live entirely lost to the everyday world, thoroughly immersed in his Dreaming. On approach you would find him muttering chants, as he painted completely oblivious to the world around him. He gave the impression that he existed unseparated from the earth; that he traveled through an interior space where physical dimension is non-existent. With eyes closed to barely visible slits and tiny hands shaking as he applied dots to the canvas, he seemed far away in the land of his Dreaming as he sang up the ancestors and joined with the spirits of the land. During a ten-year period between 1986, the year in which the art centre in Balgo Hills was established, and the mid 1990s, by which time he was almost totally blind, Wimmitji Tjapangarti produced no more than 200 works of which none exceed 120 x 90 cm in size. Only 61 have appeared on the secondary market, of which 38 have sold. His record price is $78,000 for an untitled 1990 work measuring 120 x 85 cm sold at Lawson-Menzies in June 2006 (Lot 58), which fell within the estimated $70,000-$90,000 price range. This was more than twice the price achieved for his next highest result at the time. Kutu 1989 measuring just 120 x 60 cm sold for $35,750 in Sotheby’s July 2004 sale. His most spectacular success at auction was for Artists Country 1990 estimated by Sotheby’s to sell for $8,000-12,000 in its June 1998 sale (Lot 209). This complex 120 x 85 cm work that had featured in the artists exhibition with his wife Eubena Nampijin at Gallerie Gabrielle Pizzi eight years earlier sold for $32,200 and still occupies the artists seventh highest record. 2015 was a very good year for this artist with 4 of the 6 works on offer selling. Of these, three entered his top ten results. A new second highest mark was set when Artist's Country (Iirrawilli) 1989 sold for $48,800 at Mossgreen's Alan Boxer Collection sale. Another work in the Laverty sale at Deutscher & Hackett became the new third highest result when sold for $45,600. And the Dr. Peter Elliott sale at Mossgreen saw Artist's Country (Wantjanmurra) 1992 sell for $39.040, Wilmmitji's 5th highest result to date. All of Wimmitji’s highest selling works were created prior to 1992 and all are less than 120 x 90 cms in size. Provenance is not an issue here, as Wimmitji painted his entire oeuvre for Warlayirti artists which sold his works through highly reputable galleries, principally in Sydney and Melbourne. While Wimmitji’s works are exceedingly rare, collectors have just woken to the fact that it is a fortunate person indeed that has one in their collection. They are greatly undervalued in today’s market. He, along with Sunfly Tjampitjin, were the most senior male participants in the earliest days of the Balgo Hills art centre, which was established in 1986. He painted for less than ten years, as he was blind and very frail toward the end of his life. Paintings created between 1989 (by which time he had grasped and become highly accomplished in the medium) and 1993 (when his eyesight began to fail him) number no more than 50 works, all of which will, in time, come to be recognised as masterpieces of the formative period of Kukatja and Wangkajunga art. Explore our artworks See some of our featured artworks below ANGELINA PWERLE NGAL - UNTITLED ( BUSH RAISIN MAN) Price AU$3,000.00 ALISON (JOJO) PURUNTATAMERI - WINGA (TIDAL MOVEMENT/WAVES) Out of stock LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KURLURRNGALINYPA JUKURRPA Price From AU$13,500.00 BRONWYN BANCROFT - UNTITLED Out of stock JOSHUA BONSON - SKIN: A CELEBRATION OF CULTURE Price AU$8,500.00 BOOK - KONSTANTINA - GADIGAL NGURA Price From AU$99.00 FREDDIE TIMMS - MOONLIGHT VALLEY Price AU$35,000.00 NEIL ERNEST TOMKINS - BURN THERE, DON'T BURN THERE Price AU$7,000.00 SHOP NOW

Artist Profile for Lorna Kantilla < Back Lorna Kantilla Lorna Kantilla ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE LORNA KANTILLA - BODY PAINT SOLD AU$1,200.00 LORNA KANTILLA - JUKWARRINGA SOLD AU$500.00 LORNA KANTILLA - JILAMARA Sold AU$0.00 LORNA KANTILLA - JUKWARRINGA SOLD AU$1,000.00 LORNA KANTILLA - JUKWARRINGA SOLD AU$500.00 top Anchor 1 PROFILE Lorna Kantilla ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Hamish Karrkarrhba < Back Hamish Karrkarrhba Hamish Karrkarrhba ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE top Anchor 1 PROFILE Hamish Karrkarrhba ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

HER MEDITATIONS - BIDDY TIMMS NAPANANGKA Art Leven - 17 Thurlow St, Redfern, Gadigal, NSW 2016 3 - 24 August 2024 HER MEDITATIONS - BIDDY TIMMS NAPANANGKA Biddy Timms Napanangka 3 - 24 August 2024 HER MEDITATIONS - BIDDY TIMMS NAPANANGKA Biddy Timms Napanangka 3 - 24 August 2024 Art Leven - 17 Thurlow St, Redfern, Gadigal, NSW 2016 Biddy Timms Napanangka Her Meditations 3 - 24 August 2024 Biddy Timms Napanangka has been a working artist for almost 20 years, during which her practice has steadily evolved. You would be hard-pressed to recognise the finely detailed brushwork of an early Timms Napanangka if you were only familiar with her later work. Yet, below the surface, you can find traces of the path leading to the artist she is today.* Warlpiri painting practice as a whole is usually presented as a rhythmic, meditative process involving singing and dancing; swift and fine dot-work spreads over the canvas as the artist traces her sacred Songline across stretches of the Tanami Desert. The art from Lajamanu - as opposed to Yuendumu, the larger of the two Warlpiri townships - is known predominantly for featuring loose, gestural paintings. Many of the artists, however, including Biddy Timms Napanangka, began their careers in the finely-dotted and in some ways more rigid traditions of Warlpiri art-making. Napanangka is a quiet, humble woman. She rarely asks for anything [beyond] a quiet, temperate place to paint and think.** Louisa Erglis, former and interim Manager, Warnayaka Arts At this stage in her career, Napanangka has turned to a more inward form of meditation as she paints. After laying down a thick surface of fresh acrylic paint, she holds her brush so that the tip meets the canvas aiming away from her, bristles agains the grain. Observing her at work invokes the meditative raking of sand in a Japanese Zen garden. Loaded with a new colour, her brush drives across the surface, as though unearthing the new colour from underneath the base layer. Introduction In June of 2023, we conducted a weeklong painting project at Warnayaka Arts In Lajamanu for country x Country, a joint exhibition between ——- Simon Napanangka and Sydney-based painter Neil Tomkins. During this time, we slept on wire-framed trundle beds in the art centre studio, surrounded by thousands of paintings, framed, unframed, rolled, strained, stacked, or suspended from clip-on trouser-hangers on clothing racks. It was in this chaotic and beautiful context that we fell in love with the humble minimalist paintings of Biddy Timms Napanangka. The artist herself is the perfect embodiment of the peaceful, calm works she creates. That week, the studio was abuzz with laughter, conversation, frequent family visitors - constant hustle and bustle. Every day of the workshop Biddy was first one in, approaching the art centre with her walker the exact moment the doors swung open to begin the day. Neil Tomkins, the painter accompanying us on this trip, describes part of his process as “pushing paint around”. The phrase applies just as well to Napanangka’s painting practice. Going through the video footage afterwards, Biddy is remarkably still, hardly moving save for her brush-hand, in a seemingly deep state of meditation. All of the paintings in this exhibition were either discovered or painted during our time in Lajamanu. Artist Profile VIEW CATALOGUE BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) price AU$1,200.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) price AU$1,000.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) price AU$700.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) price AU$500.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) price AU$350.00 BIDDY TIMMS NAPANANGKA -NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - BUSH MUSHROOM DREAMING - PULUNTARRI Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) price AU$1,000.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) price AU$700.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) price AU$600.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) price AU$500.00 BIDDY BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$350.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - BUSH ONION DREAMING - JANMARDA JUKURRPA Sold AU$0.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - MINAMINA JUKURRPA (MINAMINA DREAMING) Sold AU$1,000.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) price AU$700.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$600.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) price AU$500.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - MINAMINA JUKURRPU (MINAMINA DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 EX-August1-2024