Artist Profile for Gary Djorlom < Back Gary Djorlom Gary Djorlom ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE top Anchor 1 PROFILE Gary Djorlom ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

The Collectors Room: Highlights from the Secondary Market Booth J09 | Carriageworks, Everleigh Viewing Room The Collectors Room: Highlights from the Secondary Market Booth J09 | Carriageworks, Everleigh THE COLLECTORS ROOM Highlights from the Secondary Market Alongside our exhibition Ngarukuruwala Kapi Murrakupuni Art Leven is proud to present a focused selection of secondary market works, led by Emily Kame Kngwarreye’s Alalgura Country , 1993. Placing these works in dialogue highlights the continuity of First Nations art, from community-driven practice alive today, to the landmark paintings that shaped international recognition of Frist Nations voices in global contemporary art. The timing resonates strongly with the Tate Modern’s forthcoming retrospective Emily Kam Kngwarray (10 July 2025 – 11 January 2026), underscoring the worldwide momentum surrounding her practice and the broader field. This presentation speaks directly to Art Leven’s dual identity. Our exhibitions celebrate the innovation of living artists and their art centres, while our Collectors Room and auctions provide a platform for historically significant works to be rediscovered, contextualised, and placed into the hands of new custodians. Together, these complementary strands reflect our long-standing mission: to honour the strength and diversity of First Nations art while deepening its resonance in Australia and internationally. VIEW PDF CATALOGUE KUTUWULUMI PURAWARRUMPATU (KITTY KANTILLA) - PUMPUNI JILAMARA price AU$35,500.00 DANIE MELLOR - PERPETUAL (NGARAY) price AU$30,000.00 ANGELINA PWERLE NGAL - UNTITLED ( BUSH RAISIN MAN) price AU$3,000.00 TJULYATA KULYURU - TJUKULA (WATERHOLES) price AU$1,300.00 PRINCE OF WALES - BODY MARKS price AU$35,500.00 OWEN YALANDJA - YAWK YAWK Sold AU$19,000.00 ELAINE NAMATJIRA - ULPATJA - PARROT Sold AU$3,000.00 FIONA WELLS - NGAYUKU WALKA (MY DESIGN) price AU$1,200.00 JOHN TJAKAMARRA KIPARA - WALINNGI (WOMEN CATCHING SNAKE) price AU$35,000.00 DANIE MELLOR - TRUNK SHIELD price AU$5,000.00 LANGALIKI LEWIS - NGAYUKU WALKA (MY DESIGN) price AU$1,600.00 SCAF_Collectors

Artist Profile for Wentja Napaltjarri < Back Wentja Napaltjarri Wentja Napaltjarri ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE WENTJA NAPALTJARRI - ROCKHOLES WEST OF KINTORE Sold AU$0.00 WENTJA NAPALTJARRI - ROCKHOLES AND COUNTRY Sold AU$0.00 top Anchor 1 PROFILE Wentja Napaltjarri ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

MULUYMULUY WIRRPANDA | BULWUTJA Solo exhibition of Muluymuluy Wirrpanda from the 15 September - 3 October 2020 From 15 September to 03 October 2020 MULUYMULUY WIRRPANDA | BULWUTJA From 15 September to 03 October 2020 MULUYMULUY WIRRPANDA | BULWUTJA From 15 September to 03 October 2020 Solo exhibition of Muluymuluy Wirrpanda from the 15 September - 3 October 2020 Muluymuluy was the young wife of Wakuthi Marawili, one of the oldest and most revered elders in Arnhem land. Known as Banbay, ”blind one”, because of his poor eyesight, Wakuthi passed away on 2005. Today his sons Djambawa (winner of the 2019 Testra Art Award) and Nuwandjall play a large role in the day to day management of the large Madarrpa clan homeland, Yilpara and Muluyumuluy works with them producing important Madarrpa clan paintings. Her sister Mulkun Wirrpanda is also a senior artist. Muluymuluy holds extensive knowledge of native plants of North East Arnhem Land and her artwork embodies this knowledge. Amongst the plant species represented in her works, are berries, yams and other edible species including Buwakul (native grape), Dilminyin (scaly ash), and Ganguri/Manmuna (long yam). Her bark paintings depict Bulwutja, which grows in and around the billabongs and swampy areas on Madarrpa land. The plants grow in clumps after the rains and are pulled out in clumps, cooked underground or on coals, then mashed into a blackish grey paste that is tasty and nutritious. This paste can also be baked into a bread.

Artist Profile for Shane Smithers < Back Shane Smithers Shane Smithers ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE SHANE SMITHERS - THE TEACHERS Sold AU$0.00 SHANE SMITHERS - MORNING LIGHT, WOMEN'S DREAMING TREE Sold AU$0.00 top Anchor 1 PROFILE Shane Smithers ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

GAME, SET, MATCH Art Leven - 17 Thurlow St, Gadigal, Redfern, NSW, 2016 27 - 24 February 2024 GAME, SET, MATCH 27 - 24 February 2024 GAME, SET, MATCH 27 - 24 February 2024 Art Leven - 17 Thurlow St, Gadigal, Redfern, NSW, 2016 'Game, Set, Match ' is a group exhibition consisting of seven individual series or sets of artworks by various artists - on view now at our Redfern gallery. DOROTHY NAPANGARDI - KARNTAKURLANGU price AU$25,000.00 ANGELINA GULUWULLA KARDADA BOONA - WANDJINA EMERGING price AU$5,500.00 DOROTHY NAPANGARDI - SALT ON MINA MINA Sold AU$2,800.00 BANDARR WIRRPANDA - MUŊURRU price AU$1,200.00 JULIE NANGALA ROBERTSON - NGAPA JUKURRPA (WATER DREAMING) - PIRLINYARNU Sold AU$0.00 DOROTHY NAPANGARDI - SALT ON MINA MINA Sold AU$0.00 ANGELINA GULUWULLA KARDADA BOONA - WANDJINA EMERGING price AU$5,500.00 DOROTHY NAPANGARDI - KARNTAKURLANGU JUKURRPA (WOMEN'S DREAMING) Sold AU$4,000.00 NOLA ROGERS - GOGO STATION price AU$1,500.00 BANDARR WIRRPANDA - MUŊURRU - MAŊGALILI STORY price AU$1,200.00 CAROL PURUNTATAMERI - YIPALI AND PURRUKUPALI Sold AU$0.00 DOROTHY NAPANGARDI - SALT ON MINA MINA Sold AU$0.00 ANGELINA GULUWULLA KARDADA BOONA - WANDJINA EMERGING price AU$5,500.00 DOROTHY NAPANGARDI - SALT ON MINA MINA price AU$3,000.00 DAISY JAPULIJA - BILLABONGS price AU$1,200.00 JULIE NANGALA ROBERTSON - NGAPA JUKURRPA (WATER DREAMING) - PIRLINYARNU price AU$850.00 DOROTHY NAPANGARDI - SALT ON MINA MINA Sold AU$0.00 DOROTHY NAPANGARDI - SALT ON MINA MINA Sold AU$0.00 GameSetMatch

Artist Profile for Dhambit II Wanambi < Back Dhambit II Wanambi Dhambit II Wanambi ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE top Anchor 1 PROFILE Dhambit II Wanambi ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Annette Lormada Bingarli < Back Annette Lormada Bingarli Annette Lormada 1963 Bingarli Community: Fitzroy Crossing Language: Walmajarri and Nyikina ARTIST PROFILE ARTIST CV MARKET ANALYSIS Annette Lormada was born in 1961 in Fitzroy Crossing and is affectionately known by her bush name, Bingarli. Raised amidst the rich storytelling tradition of her family, Annette grew up immersed in the Two Dogs Dreaming Story, which continues to inspire her paintings to this day. READ FULL ARTIST PROFILE ANNETTE LORMADA - MARTUWARRA (RIVER) SOLD AU$2,200.00 top Anchor 1 PROFILE Annette Lormada 1963 Community: Fitzroy Crossing Language: Walmajarri and Nyikina Annette Lormada was born in 1961 in Fitzroy Crossing and is affectionately known by her bush name, Bingarli. Raised amidst the rich storytelling tradition of her family, Annette grew up immersed in the Two Dogs Dreaming Story, which continues to inspire her paintings to this day. She spent her formative years attending school in Fitzroy Crossing, before moving to Junjuwa and later to Nookanbah, where she worked in community stores. Annette embarked on her painting journey relatively recently, starting at the Mangkaja studio after being influenced by the senior artists there. Her dynamic and playful approach to art, characterized by a strong use of colour and composition, quickly garnered recognition. In 2020, Annette's unique style earned her finalist positions in prestigious awards, including the Telstra National Aboriginal and Torres Strait Islander Art Awards (NATSIAA) and the Port Headland Jury Prize. Known for her contemporary and whimsical style, Annette's paintings vividly depict the creation stories she learned as a child. Her works evoke memories of her childhood experiences, such as fishing along the Fitzroy River, translating these personal and cultural narratives into vibrant visual forms that capture the essence of her heritage and the beauty of her surroundings. ARTIST CV PAINTING THEMES: Dreaming stories Martuwarra (river) Two Dingoes story EXHIBITIONS: AUG 2020 "TELSTRA NATSIAA PAINTING FINALIST" MAGNT, DARWN, NT March 2020 "BIG ONES SMALL ONES" JUNCTION CO, COURTHOUSE GALLERY, PORT HEDLAND WA OCT 2019 "MEETING PLACES: MANGKAJA AND CREATIVE GROWTH" CREATIVE GROWTH OAKLAND CA, APRIL 2019 "REVEALED" FREMANTLE ART CENTRE, PERTH JULY 2019 "KIMBERLEY ART PRIZE " DERBY, WA Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Kathleen Petyarre Also know as: Kweyetwemp < Back Kathleen Petyarre Also know as: Kweyetwemp Kathleen Petyarre 1935 - 2018 Also know as: Kweyetwemp ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE KATHLEEN PETYARRE - MY COUNTRY-BUSH SEEDS Sold AU$0.00 KATHLEEN PETYARRE - MOUNTAIN DEVIL LIZARD DREAMING Sold AU$0.00 KATHLEEN PETYARRE - THORNY DEVIL LIZARD DREAMING Sold AU$0.00 KATHLEEN PETYARRE - MY COUNTRY - MCA Sold AU$0.00 KATHLEEN PETYARRE - SANDHILLS Sold AU$0.00 KATHLEEN PETYARRE - MOUNTAIN DEVIL LIZARD DREAMING Sold AU$0.00 KATHLEEN PETYARRE - MOUNTAIN DEVIL LIZARD DREAMING Sold AU$0.00 KATHLEEN PETYARRE - MY COUNTRY Sold AU$0.00 KATHLEEN PETYARRE - MOUNTAIN DEVIL LIZARD DREAMING Sold AU$0.00 KATHLEEN PETYARRE - MOUNTAIN DEVIL LIZARD DREAMING Sold AU$0.00 KATHLEEN PETYARRE - MOUNTAIN DEVIL LIZARD DREAMING Sold AU$0.00 KATHLEEN PETYARRE - MY COUNTRY Sold AU$0.00 KATHLEEN PETYARRE - MY COUNTRY - SANDHILLS Sold AU$0.00 top Anchor 1 PROFILE Kathleen Petyarre 1935 - 2018 Born c.1940 three hundred miles northeast of Alice Springs, and instructed by her paternal grandmother in the Dreamings that inform her work, Kathleen Petyarre began painting in the mid 1980’s. Within a decade a series of important exhibitions, prestigious awards, and journalistic debate about Indigenous art praxis, had propelled her to international renown, if not entirely for all the right reasons. While best known for her finely wrought, intimate renditions of the vast landscapes created during the epic journeys of her Dreaming ancestor, the tiny Thorny Devil Lizard, the process leading to these sumptuous paintings took years to perfect. Kathleen began her artistic career making batiks through community workshops run by adult educator Jenny Green. Informed by wider social currents of the seventies, the female group gathered a powerful artistic presence within the emerging Indigenous art movement of Central and Northern Australia. This carried over into the political arena, where Petyarre played an instrumental role in winning the 1980 land claim that returned the land around Utopia to its traditional owners. Green recalls how the demanding and finicky work of batik-making required 'the patience, dexterity and determination employed in winnowing seed and collecting other bush tuckers' (cited in Nichols 2001: 20). The women moved between their traditional and contemporary activities with ease and enthusiasm. Prompted by health concerns, Petyarre moved to acrylic painting as suggested by the new art advisor Rodney Gooch in 1986. Her fine working skills and focused attention carried over, as she began to explore her new medium. Petyarre’s totem, the Thorny Devil Lizard, referred to as ‘that Old Woman Mountain Devil’ underlayed and informed all of her work. This tiny desert creature is believed to have created the vast desert home of the Eastern Anmatjerre people by moving each grain of sand, grain by grain, since the dawn of time. Petyarre, like her clanswomen, believed that they are its descendents, and have therefore inherited the responsibility for caring and nurturing the vast landscape that she depicted so intimately and carefully in her paintings. In her My Country series, she used thin acrylic paints that soaked into carefully prepared linen to create 'galaxies of fine dots’ that built upon each other to produce subtle variations of tone and colour underscored by areas of compelling shadow. These vibrant surfaces remained sheer, yet soft, with rhythmic linear patterns suggesting life and structure upon the earth-toned expanse, as well as underground watercourses and a spiritual presence within. Many of these highly atmospheric works re-affirm an important link to the ceremonial body painting and dancing of her traditional life through both their energetic presence, cultivated by painstaking technique, and their oblique reference to secret, ancient narratives, carefully veiled by mists of dots. 'I like to make the painting like its moving, traveling,' she said, touching upon her ancestral wanderings. Working alongside her famous aunt, Emily Kame Kngwarreye, Petyarre became inspired to succeed her as 'the most feted Anmatjerre artist' and tailored her work to a cross-cultural sensibility, responding with intelligent acumen to an increasingly receptive market. Although structurally present in her cruder early works, she began concentrating on her Mountain Devil Lizard theme in earnest from the early 1990s. This image, featuring two diagonal fault lines meeting at sacred men’s and women’s ceremonial sites along a dry river bed, became her leit motif and was rendered with subtle and increasingly sophisticated nuances over the following years. Her career progressed quietly and steadily, encouraged by her agent, David Cossey of Gallerie Australis in Adelaide, until her sell out show in Melbourne in 1996. She was awarded the Visy Board Art Prize at the Barossa Vintage Festival Art Show in 1998 and the following year won the People's Choice Award in the Seppelts Contemporary Art Award, held at the Museum of Contemporary Art in Sydney. Later that year, she won the biggest prize of all, the prestigious Telstra Aboriginal and Torres Strait Islander Art Award. Controversy regarding the authorship of her winning entry highlighted the communal nature of art production in her culture, springing as it does from an intensely inter-related bond between small clan groups, larger tribal groups and country. Although resolved in her favour, the lengthy investigation deeply upset Petyarre and her immediate family who sensed the threat to their birthright, an identity fundamentally shaped and given meaning through their Dreaming. Petyarre’s belief in her vocation propelled her back to the artistic stage, however, her mature works were considered by many as her best. Less specific references to the features of country have promoted their abstract quality while still conveying their pervasive sacred meaning. A solo retrospective at the Museum of Contemporary Art in Sydney, as well as an accompanying catalogue published in 2001, repositioned Petyarre’s career, enabling viewers to reassess the artist’s work, free of the controversy that had flared during the three years since winning the NATSIA award. Received with plaudits, her biographer noted, 'Kathleen Petyarre draws upon the indigenous to create the international' (Nicholls 2001: 31). Toward the end of her life, during which she spent increasing time in Alice Springs at the mercy of a continuously needy entourage, she painted perfunctory paintings for quick money. However these should never be confused with the majority of her works created in the studio her agent provided in Adelaide. In this environment Kathleen Petyarre was at her very best, making works of enormous integrity that will always attract a spiritually inquisitive and aesthetically literate audience. ARTIST CV Market Analysis MARKET ANALYSIS Given the fact that that Kathleen Petyarre achieved a number of distinctions including winning the prestigious Telstra Aboriginal and Torres Strait Islander Art Award, one would expect her works to have always been highly collectable. However those collectors with important paintings created during the mid to late 1990s were not at all encouraged to offer them for sale prior to 2003. Despite a doubling of the primary market prices of her works, the secondary market went distinctly cold on this prestigious artist immediately following the controversy that raged about her in 1998. A re-assessment did not occur until after the dust settled on her retrospective at the Museum of Contemporary Art in Sydney during 2001. All of her top ten highest results and the majority of all of her works offered have been set since 2003. In the primary market Kathleen’s prices underwent a series of rapid rises that coincided with her awards, as would be expected of an artist whose career was professionally managed by an exclusive agent with representative galleries in the major capital cities. A 122 x 122 cm work from the Mountain Devil Lizard Dreaming series for example, was listed in representative galleries at $8,500 in 1996, just prior to the Telstra Award, and $12,000 immediately after. On learning that she was to have the exhibition at the MCA the equivalent painting rose in price to $16,000 and once the show had been held, $18,500 including the GST that had been introduced in the meantime. By 2004, her works of this size were $25,000 in the primary market, with larger 150 x 150 cm works selling for $35,000 and the very occasional 180 x 180 cm size commanding $55,000- $60,000. In 2008 Kathleen showed for the first time at Metro 5 Gallery in Melbourne and for this show, she created several Mountain Devil Lizard works in a rectangular format of even greater size. These works were readily snapped up by serious collectors for $90,000-100,000. Kathleen's secondary market results for her My Country images have generally sold for about 15% less than her average across the range of sizes available for all of her different subjects and styles. The reason lies in two quite different factors. The first is related to the difficulty of illustrating with any degree of satisfaction works that are luxuriously painted with fields of tiny dots distinguished by only subtle colour variations. The second is related to the provenance of her works post 2010, since her agent/representative, David Cossey, retired. Kathleen returned to Alice Springs and prior to her death in 2018, many 'assisted' works of a lesser quality entered the market. At auction the majority of her works have fallen into the 122 x 122 cm range and the 91 x 91 cm range, principally because these are the sizes that best suit the majority of her imagery and which she therefore painted most often. Since her paintings first appeared at auction in 1996 a third have sold between $5,000-10,000, another third between $10,000-25,000, and a tenth in the $25,000-50,000 range, with only two works breaking beyond this upward marker since 2009. As would be expected of an oeuvre in which the same basic structure is repeated many times over, individual works are favoured due to very subtle differences in their execution and structure and these are the prime determinants of value, regardless of size. Prior to 2009, Kathleen’s record price had been achieved for a large 183 x 183 cm work from her My Country series called My Country, Hailstorm , which was sold at Christies in August 2005 for $47,800. This would seem to be an anomaly as these ‘My Country’ images are generally far less favoured than Mountain Devil Lizard works. Her top three results had all fallen between $43,000 and $48,000 amply demonstrating that quality, not size, is what matters when it comes to a work by this artist. These three results were for works measuring 183 x 183 cm, 122 x 122 cm, and 91 x 91 cm respectively with the smallest, Atnangkere 2000 , reaching a sale price of $42,800 at Sotheby’s Sydney in July 2003 against an estimate of only $6,000-8,000. Petyarre’s record sale in 2009, however, ticked the boxes on all fronts, being large in scale, with a high degree of beauty and integrity. Mountain Devil Lizard Dreaming 2008 , a work with Gallerie Australis provenance measuring 184 x 245 cm. fetched $96,000 at Lawson Menzies in March 2009 (Lot 139). The sale almost doubled the previous record at auction yet simply aligned her secondary market results more closely to the prices set for her finest work on the primary market. By 2016, of the 315 works by Kathleen Petyarre that had appeared at auction only 161, or 51%, had sold, fetching an average $9,113. This average fell by $2000 between 2011 and 2015. There were a number of factors at play in this. On the one hand the secondary market proved unable to achieve the prices for which her representative galleries continued to sell her best works. On the other, provenance is all-important with this artist, as well as, to a lesser degree, the period in which the work was painted. For example, of her current top ten sales, seven came from her primary agent Gallerie Australis and two from Delmore Gallery, another very reputable source for works by Utopia artists. While Kathleen lived mostly in Adelaide until 2010 with her sister Violet and grand daughter Albie Loy she occasionally painted for Don and Janet Holt at Delmore Downs Station from the time she began painting in the late 1980s. However the works that she painted hastily and under pressure from her extended family for cash and cars while visiting Alice Springs, have seriously undermined her career. Investors, who are not familiar enough with Kathleen’s work to be able to tell the difference between a work of great quality and something knocked out quickly, are advised to carefully examine the back of canvases and note the code numbers to ensure the provenance and original source is worthy of a major investment. No single year could better demonstrate this phenomenon than 2008 during which only four works sold of 15 offered, resulting in her career success rate dropping from 53% to just 50%. Unfortunately 12 of the 15 works were inferior in quality, having come from sources other than those mentioned above. Only 3 works have entered her top 10 results since 2006 and one of these was her current record which appeared in 2009. Her second highest record was set in 2016 when a lovely Mountain Devil Lizard Dreaming painting, created in 1996 and previously owned by Amina and Franco Belgiorno- Nettis, achieved $73,200 at Bonham’s. The other was a beautiful 1998 Mountain Devil Lizard image de-accsessioned from the collection of Dutch entrepreneur Thomas Vroom. The work purchased originally from the Holt's at Delmore Downs achieved her then 5th highest result when sold by Bonham's in September 2015 for $41,480. Though Kathleen's overall career standing is 36th amongst all Aboriginal artists, 2016 was a particularly good year for her. 22 of the 31 works on offer sold and this 71% sale rate resulted in her being the 5th most successful of all artists that year. The secondary market is only beginning to achieve spectacular results for works by Kathleen Petyarre. By the time she passed away in 2018 her finest works adorned the most important private and public collections in Australia and overseas. These will always fetch a premium when they come up for sale. However those collectors who own them have proved to be highly reluctant to let go of important works that are both individually distinctive, and so strongly resonate with the creation of the sandhill country of the artist’s homelands in the Eastern Desert. Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Biddy Napanangka Timms Biddy Napanangka Timms < Back Biddy Napanangka Timms Biddy Napanangka Timms Biddy Napanangka Timms 1950 Biddy Napanangka Timms REGION: Tanami Desert COMMUNITY: Lajamanu, NT OUTSTATION: Kurlurrngalinypa, from the Granites to Jila LANGUAGE: Warlpiri ART CENTRE: Warnayaka Art Centre ARTIST PROFILE ARTIST CV MARKET ANALYSIS Biddy Timms, skin name Napanangka, is the daughter of Tiger Jupurrurla Timms, who was from the Warlpiri sub-tribe, Ngaliya. Napanangka moved from Gordon Downs to Lajamanu many years ago after the death of her father, who was working on the station at Gordon Downs. READ FULL ARTIST PROFILE BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) SOLD AU$1,200.00 BIDDY TIMMS NAPANANGKA - MINAMINA JUKURRPA (MINAMINA DREAMING) Sold AU$1,000.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) SOLD AU$700.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) SOLD AU$700.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$600.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) SOLD AU$500.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) SOLD AU$350.00 BIDDY NAPANANGKA TIMMS - WOMEN'S DREAMING Sold AU$0.00 BIDDY TIMMS NAPANANGKA -NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - BUSH ONION DREAMING - JANMARDA JUKURRPA Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 BIDDY NAPANANGKA TIMMS - WOMEN’S DREAMING: NAPANGARDI, NAPANANGKA-KURLANGU Sold AU$0.00 BIDDY NAPANANGKA TIMMS - BUSH MUSHROOM DREAMING - PULUNTARRI Sold AU$0.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) SOLD AU$1,000.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) SOLD AU$1,000.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) SOLD AU$700.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) SOLD AU$600.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) SOLD AU$500.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) SOLD AU$500.00 BIDDY BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$350.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - BUSH MUSHROOM DREAMING - PULUNTARRI Sold AU$0.00 BIDDY TIMMS NAPANANGKA - MINAMINA JUKURRPU (MINAMINA DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY TIMMS NAPANANGKA - NAPANGARDI & NAPANANGKA-KURLANGU (WOMEN’S DREAMING) Sold AU$0.00 BIDDY NAPANANGKA TIMMS - WOMEN’S DREAMING Sold AU$0.00 BIDDY TIMMS NAPANANGKA - PULUNTARRI (BUSH MUSHROOM DREAMING) Sold AU$0.00 top Anchor 1 PROFILE Biddy Napanangka Timms 1950 REGION: Tanami Desert COMMUNITY: Lajamanu, NT OUTSTATION: Kurlurrngalinypa, from the Granites to Jila LANGUAGE: Warlpiri ART CENTRE: Warnayaka Art Centre Biddy Timms, skin name Napanangka, is the daughter of Tiger Jupurrurla Timms, who was from the Warlpiri sub-tribe, Ngaliya. Napanangka moved from Gordon Downs to Lajamanu many years ago after the death of her father, who was working on the station at Gordon Downs. Napanangka also spent time on Tanami desert stations, where she was employed as a housekeeper. It was during her years of station work that she learnt to speak English. Although using ochre and oils to paint peoples' bodies for ceremony for much of her life, Napanangka only began to paint her Jukurrpa (Dreaming) onto canvas after the Warnayaka Art Centre re-opened in 2007. In addition to painting her traditional Jukurrpa stories, Napanangka's paintings have also explored her Christian faith. ARTIST CV SELECTED COLLECTIONS AIATSIS Australian Institute of Aboriginal and Torres Strait Island Studies SELECTED GROUP EXHIBITIONS 2019 Warlpiri Women 2016 YAAMA GANU Gallery NSW 2014 Western Desert Nganampa Walytja Palyantajaku Tjuta Galerie Yapa, Paris France 2012 GalerieYapa, Paris France 2012 Touch the Ground Brits Art, Germany 2012 Brave Festival, Poland Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Warlpiri Master | Lily Yirdingali Jurrah Hargraves Nungarrayi Carriageworks, Gadigal 5 - 8 September 8 2024 Viewing Room Warlpiri Master | Lily Yirdingali Jurrah Hargraves Nungarrayi Sydney Contemporary | Booth I07 5 - 8 September 8 2024 Carriageworks, Gadigal VIEW CATALOGUE LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - NGARLKIRDI JUKURRPA price AU$15,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAY - WARDILYKA JUKURRPA price AU$12,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI- NGALYIPI JUKURRPA price AU$5,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI -NGARLKIRDI JUKURRPA price AU$5,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - WARDIYKA JUKURRPA price AU$3,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - YAWAKIYI JUKURRPA price AU$3,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI- KARNTA JUKURRPA (WOMEN’S DREAMING) Sold AU$0.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KARNTA JUKURRPA (WOMEN’S D Sold AU$0.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KURLURRNGALINYPA JUKURRPA price AU$15,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - WARDIYKA JUKURRPA price AU$8,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KARNTA JUKURRPA (WOMEN’S DREAMING) price AU$5,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAY - KANTA JUKURRPA price AU$5,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - WARDIYKA JUKURRPA price AU$3,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KURLURRNGALINYPA JUKURRPA Sold AU$0.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI- NGALYIPI JUKURRPA Sold AU$0.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KARNTA JUKURRPA (WOMEN’S DREAMING) price AU$12,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI- NGALYIPI JUKURRPA price AU$8,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - WARDIYKA JUKURRPWARDILYKA JUKURRPA price AU$5,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - WARDIYKA JUKURRPA price AU$3,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI- NGALYIPI JUKURRPA price AU$3,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - NGALYIPI JUKURRPA Sold AU$0.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KURLURRNGALINYPA JUKURRPA Sold AU$0.00 EX 272-1

Secondary Market Carriageworks, Gadigal 5 - 8 September 2024 Secondary Market Sydney Contemporary | Booth I07 5 - 8 September 2024 Secondary Market Sydney Contemporary | Booth I07 5 - 8 September 2024 Carriageworks, Gadigal DR CHRISTIAN THOMPSON AO - HUNTING GROUND 3, ED. 2/5 price AU$11,000.00 TRACEY MOFFATT - INVOCATIONS #2, ED.45/60 price AU$10,000.00 TRACEY MOFFATT - Up In The Sky # 5, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #6, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #19, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #1, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #7, ED.34/60 price AU$5,000.00 TRACEY MOFFATT - Up In The Sky #9, ED.34/60 price AU$5,000.00 EMILY KAM KNGWARRAY (KAME KNGWARREYE) - ALALGURA Sold AU$0.00 DR CHRISTIAN THOMPSON AO - HUNTING GROUND 2, ED. 2/5 price AU$11,000.00 TRACEY MOFFATT - INVOCATIONS #4, ED.45/60 price AU$8,000.00 TRACEY MOFFATT - Up In The Sky # 22, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #20, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #25, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #4, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #10, ED.34/60 price AU$5,000.00 TRACEY MOFFATT - Up In The Sky #17, ED.34/60 price AU$5,000.00 TRACEY MOFFATT - INVOCATIONS #1, ED.45/60 price AU$10,000.00 TRACEY MOFFATT - Up In The Sky # 2, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky # 23, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #12, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #24, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #16, ED.34/60 price AU$7,000.00 TRACEY MOFFATT - Up In The Sky #18, ED.34/60 price AU$5,000.00 TRACEY MOFFATT - Up In The Sky #21, ED.34/60 price AU$5,000.00 EX 272-3