Artist Profile for Stephanie Napurrurla Nelson < Back Stephanie Napurrurla Nelson Stephanie Napurrurla Nelson ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE STEPHANIE NAPURRURLA NELSON - JANGANPA JUKURRPA (BRUSH-TAIL POSSUM DREAM ... Sold AU$0.00 top Anchor 1 PROFILE Stephanie Napurrurla Nelson ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Marilyn Maria Nangala Turner < Back Marilyn Maria Nangala Turner Marilyn Maria Nangala Turner ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE top Anchor 1 PROFILE Marilyn Maria Nangala Turner ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

YAGU, GADIGAL DULUMI, GADI YUWING NGUBADI Parliament House, 6 Macquarie St, Sydney NSW 2000 July 4 - August 1 2024 YAGU, GADIGAL DULUMI, GADI YUWING NGUBADI Konstantina July 4 - August 1 2024 YAGU, GADIGAL DULUMI, GADI YUWING NGUBADI Konstantina July 4 - August 1 2024 Parliament House, 6 Macquarie St, Sydney NSW 2000 Public Visiting Hours & Location Entry 6 Macquarie St, Parliment House. Opening time 10am to 5pm Monday to Friday Artist Statement Yagu, Gadigal dulumi, Gadi yuwing ngubadi
 Translation: today, the Gadigal give you for no expected return, Gadi truth and love. As a descendant of the Gadigal, I am passionate about my language, Culture and histories, much of which have been lost, misplaced or manipulated since the dawn of Colonisation. As such, my practise is heavily interconnected with my mob and their oral histories and married with my academic research. My artwork is heavily rooted in both and my artworks are a physical manifestation of these stories and histories, a document in time to reconnect me to my people, and my people - the Gadigal to our rightful Country. The Gadigal are, and have always been, a good graced mob. The evidence of this is clear in the way we share our Culture with others, in the way we have welcomed our neighbouring Aboriginal and non-Aboriginal brothers and sisters to our land and resources. We occupy the Country of first Colonial occupation, our numbers have dwindled due to this occupation, introduced illness, scarcity of resource, and outright persecution. We have, and continue to exist. There is an oft beguiled rhetoric that the Gadigal are no longer; that our stories and Culture occupy only the assuages of history. This is untrue and incorrect. The Gadigal occupy these walls today with our stories, we are honoured and grateful to have the opportunity to welcome you and invite you to share in our Culture. ARTIST PROFILE KONSTANTINA (KATE CONSTANTINE) - GADIGAL WEAVE II (WHITE) price AU$6,200.00 KONSTANTINA (KATE CONSTANTINE) - Gadigal Weave Sold AU$0.00 KONSTANTINA (KATE CONSTANTINE) - GADIGAL WEAVE II (BLACK) price AU$6,200.00 KONSTANTINA (KATE CONSTANTINE) - Gadigal Weave price AU$6,200.00 EX-july4-2024

UTOPIA - IN DETAIL From 21 March to 16 April 2022 Viewing Room UTOPIA - IN DETAIL From 21 March to 16 April 2022 "The former Utopia cattle station in Central Australia, is home to many small Anmatyerr and Alyawarr family groups living in an 1800 square kilometre section of Central Australian desert transected by the largely dry Sandover River. In this extreme desert climate, a Westerner might imagine it as far from perfect. Yet, to the Aboriginal painters who work here, nestled in small outstations close to their ancestral land, the region’s history of violent conflict and dispossession is of little consequence. Here, the summer heat often exceeds forty degrees Celsius. In winter the nights are cold, with sub-zero and frosts between June and August. But following infrequent rain, the desert landscape is transformed. The dried-out Spinifex flowers resemble a field of wheat, and the mulga shrub bears green dense foliage and masses of bright yellow flowers. Growing amongst these plants is an abundance of wildflowers that turn the deep red desert floor into a utopian multicoloured garden. In this environment paintings of ‘country’ become contemporary dialogues, translations of ancient laws, culture and way of life. Individual in creation, they depict shared stories and country. They arise through their shared cultural heritage depicting the food, the flora and the Dreamings that traverse this vast and ancient landscape. Many of these paintings can be read and appreciated at a superficial level for their abstractionism, but the deeper layer which involves the cultural and social mores, requires intimate knowledge to be fully appreciated. These paintings are a contemporary expression of the cultural knowledge an artist holds about their country. Topography depicted through such subtleties as direction and size, the sun’s trajectory, or the details of the artist’s relationship to her sister, cousins, uncles, and aunts are all translated through the medium of acrylic paint. The driving motivation seems totally divorced from the final aesthetic produced through their labours. A reference back to country is proffered upon every stroke. In this context, seeds, tracks, rocks, rivers, eggs, and so much more are part of the pictorial language of her their Dreaming story, be it the life cycle of a plant such as the Bush Plum, or animal like the Bush Turkey. Traces of their movement creep across the canvas and are buried beneath successive layers semi-transparent layers of diluted medium. This is a ‘Utopian’ vision, that colours these artists’ reading of their surrounding homelands."

Artist Profile for Jorna Newberry < Back Jorna Newberry Jorna Newberry ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE JORNA NEWBERRY - WALPA (WIND DREAMING) SOLD AU$7,500.00 JORNA NEWBERRY - WALPA (WIND DREAMING) Sold AU$0.00 JORNA NEWBERRY - WALPA - WIND DREAMING Sold AU$0.00 JORNA NEWBERRY - CEREMONY FOR WOMEN Sold AU$0.00 JORNA NEWBERRY - WALPA (WIND DREAMING) Sold AU$0.00 JORNA NEWBERRY - CEREMONY FOR WOMEN Sold AU$0.00 JORNA NEWBERRY - CEREMONY FOR WOMEN Sold AU$0.00 JORNA NEWBERRY - WALPA (WIND DREAMING) Sold AU$0.00 JORNA NEWBERRY - WALPA (WIND DREAMING) Sold AU$0.00 JORNA NEWBERRY - WALPA (WIND DREAMING) Sold AU$0.00 JORNA NEWBERRY - WALPA (WIND DREAMING) Sold AU$0.00 JORNA NEWBERRY - WALPA (WIND DREAMING) Sold AU$0.00 JORNA NEWBERRY - WALPA (WIND DREAMING) Sold AU$0.00 JORNA NEWBERRY - WALPA (WIND DREAMING) Sold AU$0.00 JORNA NEWBERRY - WALPA (WIND DREAMING) Sold AU$0.00 JORNA NEWBERRY - MY COUNTRY Sold AU$0.00 JORNA NEWBERRY - MY COUNTRY Sold AU$0.00 top Anchor 1 PROFILE Jorna Newberry ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

SYDNEY OCEANIC ART FAIR 2023 Art Leven - 17 Thurlow St, Redfern, NSW 2016 14 December 2023 - 13 January 2024 SYDNEY OCEANIC ART FAIR 2023 14 December 2023 - 13 January 2024 SYDNEY OCEANIC ART FAIR 2023 14 December 2023 - 13 January 2024 Art Leven - 17 Thurlow St, Redfern, NSW 2016 Recognising our geographic location in the Pacific, this expanded Fair will appeal to a wider, more diverse range of art lovers and collectors of both historic and contemporary art from First Peoples globally. The fair will include booths displaying objects and artworks from PNG, Australia, South East Asia and many other countries. Cooee Art Leven is proud to host the highly successful, annual, Sydney Oceanic Arts Fair (SOAF) on behalf of of the Oceanic Art Society on Sunday 29th October (9am to 5pm). Recognising our geographic location in the Pacific, this expanded Fair will appeal to a wider, more diverse range of art lovers and collectors of both historic and contemporary art from First Peoples globally. SOAF will feature many genuine ethnographic rarities and collectibles from PNG, the Pacific, Australia, South East Asia and other countries, from a collection of Australia's prominent Oceanic Art dealers and collectors. For the first time, the Oceanic Art Society will also have a Gala Preview for vendors and members on Saturday 28th of October at 5pm. The Gala Preview will be a social event, with a live Auction hosted by Alex Philips and with drinks and hors d’oeuvres. Tickets for the Gala Preview are only $10, payable at the door. 28th October 5-7pm – 29th October 9-5pm Cooee Art Leven 17 Thurlow St Redfern, NSW, 2016 Contact: soaf@oceanicartsociety.org.au www.oceanicartsociety.org.au 0400 822 546 Contact us for more information: info@artleven.com

NapangardiEunic Eunice Napangardi Eunice Napangardi 1950 - 2005 Partner to Kaapa Tjampitjinpa during the early days of the modern painting movement at Papunya, Eunice along with her sister Pansy was one of the few women who began painting and selling works independently of the male dominated art centre. Like other female partners and relatives, she assisted the men with infilling and background dotting on their larger works. Her own creative flair and confidence, however, began to blossom during the late 1980s when Daphne Williams became art coordinator at Papunya. Eunice’s love of colour and surety of design saw her quickly become a leader in the emerging women’s painting movement of the 1990s. Her work was soon chosen to represent Australia internationally and a large piece is on permanent display at Alice Springs airport. Born and raised in the bush near Yuendumu and living on the traditional bush tucker of the spinifex country, Eunice learned the ancient Dreaming stories from her grandparents, depicting them in the desert sand. When she and her sisters Alice, Rene and Pansy Napangardi began to paint with acrylic colours, Eunice’s signature theme became Yuparli or Bush Banana Dreaming. She shows the bush banana in its various growth cycles, with radiating vines growing about the rocky crevices, close to riverbeds. It is an important food source and has specific healing qualities and is therefore of immense importance to all Aboriginal peoples of Central Australia. Her work is animated and spirited like the woman herself, expressing the rich culture of her people and their deeply spiritual connection to the land. Apart from several trips to city art engagements, Eunice spent most of her life in the Alice Springs area and spoke limited English, but she would paint industriously, sometimes for ten hours a day, producing glorious works that travelled the globe. She began to paint with Maxie Tjampitjinpa before he died, and before her own sudden and untimely death had become a respected elder and healer. A detailed market analysis will be available shortly. Explore our artworks See some of our featured artworks below ANGELINA PWERLE NGAL - UNTITLED ( BUSH RAISIN MAN) Price AU$3,000.00 ALISON (JOJO) PURUNTATAMERI - WINGA (TIDAL MOVEMENT/WAVES) Out of stock LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KURLURRNGALINYPA JUKURRPA Price From AU$13,500.00 BRONWYN BANCROFT - UNTITLED Out of stock JOSHUA BONSON - SKIN: A CELEBRATION OF CULTURE Price AU$8,500.00 BOOK - KONSTANTINA - GADIGAL NGURA Price From AU$99.00 FREDDIE TIMMS - MOONLIGHT VALLEY Price AU$35,000.00 NEIL ERNEST TOMKINS - BURN THERE, DON'T BURN THERE Price AU$7,000.00 SHOP NOW

Artist Profile for Arthur John Cowell < Back Arthur John Cowell Arthur John Cowell ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE ARTHUR JOHN COWELL - JIYIMPIRRIYANGA SOLD AU$3,200.00 top Anchor 1 PROFILE Arthur John Cowell ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Cecily Napanangka Marshall < Back Cecily Napanangka Marshall Cecily Napanangka Marshall ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE CECILY NAPANANGKA MARSHALL - JANGANPA JUKURRA (BRUSH-TAIL POSSUM DREAMING)- ... SOLD AU$1,260.00 top Anchor 1 PROFILE Cecily Napanangka Marshall ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Galuma Maymuru < Back Galuma Maymuru Galuma Maymuru ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE top Anchor 1 PROFILE Galuma Maymuru ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Angelina Tjaduwa Woods < Back Angelina Tjaduwa Woods Angelina Tjaduwa Woods 1954-2019 ARTIST PROFILE ARTIST CV MARKET ANALYSIS Tjauruwa was born in the Great Victoria Desert at Warutjara, a place associated with Minyma Tjilkamata - the Echidna Woman, south of what is now the community of Jamieson (Mantamaru). Up until the winter of 1986, Tjauruwa lived traditionally, possessing only a few iron implements and tin bowls. Her family of seven was discovered in the northern Spinifex by a group revisiting important Men's sites after 25 years. READ FULL ARTIST PROFILE ANGELINA TJADUWA WOODS - PINGKATJA SOLD AU$4,800.00 ANGELINA TJADUWA WOODS - ARTULINGA SOLD AU$3,000.00 ANGELINA TJADUWA WOODS - ILKAWITJA SOLD AU$3,500.00 ANGELINA TJADUWA WOODS - PIRAPI Sold AU$0.00 top Anchor 1 PROFILE Angelina Tjaduwa Woods 1954-2019 Tjauruwa was born in the Great Victoria Desert at Warutjara, a place associated with Minyma Tjilkamata - the Echidna Woman, south of what is now the community of Jamieson (Mantamaru). Up until the winter of 1986, Tjauruwa lived traditionally, possessing only a few iron implements and tin bowls. Her family of seven was discovered in the northern Spinifex by a group revisiting important Men's sites after 25 years. With her young son on her hip, Tjauruwa first camped at Yakatunya, 90 kilometres south of Tjuntjuntjara. She then followed a moving camp that accompanied a road construction stretching 300 kilometres through the Spinifex Lands, before permanently settling in Tjuntjuntjara in 1989. In 1986, Tjauruwa was estimated to be around 32 years old and was assigned the birth date of 1st July 1954. By 2019, her family remained the last Aboriginal group in the country to make first contact with contemporary Australia. Adapting to her new environment, Tjauruwa faced profound changes. She formed relationships within an extended network of kin, transitioning from a life primarily focused on hunting and gathering to one supported by the community store, with abundant water supplies. Initially, her priority was caring for her mother and uncle in their new circumstances. It was only after her mother's death that Tjauruwa began to paint. At first, she mimicked the techniques of other women, but gradually, the experiences of her previous life and her mother's stories and designs emerged in her paintings, giving rise to a unique Spinifex perspective marked by spectacular style and technique. Tjauruwa became a leading Spinifex artist, with her works included in major awards and collections both in Australia and internationally. ARTIST CV Tjauruwa's extensive participation in group exhibitions highlights her significant presence in the international art scene, showcasing her distinctive Spinifex style across various prestigious venues globally. Group Exhibitions 2022 : MINYMA, Aboriginal and Pacific Arts, Sydney, NSW 2020 :Smart Art, ARTKELCH, Freiburg, Germany Art Paris 2020, ARTKELCH at Art Paris 2020, Paris, France 2019 :Kungakarungkalpa, Short St. Gallery, Broome, Western Australia Explosion, Aboriginal Signature Gallery, Brussels, Belgium Women's Show, Vivien Anderson Gallery, Melbourne 2018 :Spinifex People Spinifex Land - A Collection of Fine Spinifex Indigenous Art, ReDot Fine Art Gallery, Singapore The Women's Show, Vivien Anderson Gallery, Melbourne, Victoria Ngura Ninti - Knowing Country, Artkelch, Freiburg, Germany Convoking the Genesis - Eurantica, Aboriginal Signature Estrangin Gallery, Brussels Wüste - Meer - Schöpfermythen, ArtKelch Gallery at The Rautenstrauch-Joest Museum, Cologne, Germany 2017 :Spinifex Arts 20th Anniversary, Japingka Gallery, Fremantle, WA Gems from the Remote Deserts, Aboriginal Signature Estrangin Gallery at Parcours des Mondes, Paris Spinifex, Short St. Gallery, Broome, Western Australia 2016 :Pila Nguratja - In Spinifex Country, Vivien Anderson Gallery, Melbourne Rawa Nyinanyi- Unbroken, Outstation Gallery, Darwin, NT Exposition Spinifex Arts Project, Aboriginal Signature Estrangin Fine Art, Belgium LORE The Visual Language of Cultural Identity, Raft Artspace, Tasmania Tjungutja – Art of the Spinifex Collaborative, Redot Fine Art Gallery, Singapore Purungu und Narrupa Sammlung, Kunstwerk, Germany, in association with P. & A. Klein and ArtKelch Collections Tjauruwa's works are part of several prominent collections, reflecting the widespread recognition and appreciation of her art: Art Gallery of South Australia, Adelaide, SA (Women's Collaborative) Museum Fünf Kontinente, Munich, Germany National Gallery of Australia, Canberra National Gallery of Victoria, Melbourne, VIC (Women's Collaborative) Parliament House Art Collection, Canberra, ACT (Women's Collaborative) Seattle Art Museum, Seattle, USA (Women's Collaborative) The British Museum, London, England (Women's Collaborative) The Berndt Collection, University of Western Australia The Corrigan Collection, Australia The Lepley Collection, Perth, Western Australia The Sims Dickson Collection, NSW W. & V. McGeoch Collection, Melbourne, VIC Awards 2015 : Finalist (Women's Collaborative), 32nd Telstra National Aboriginal & Torres Strait Islander Art Award, MAGNT 2014 : Finalist, 31st Telstra National Aboriginal & Torres Strait Art Award, MAGNT 2009 : Finalist (Women’s Collaborative), Western Australian Indigenous Art Awards, Art Gallery of Western Australia, Perth WA Tjauruwa's contribution to the art world, marked by her participation in these numerous prestigious exhibitions and collections, showcases her status as a prominent artist within the Indigenous and global art communities. Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .

Artist Profile for Junjun Jill Jack < Back Junjun Jill Jack Junjun Jill Jack ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE JUNJUN JILL JACK - WARNTI SOLD AU$900.00 top Anchor 1 PROFILE Junjun Jill Jack ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback .