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Albert Namatjira Albert Namatjira 1902 - 1959 ​ Often portrayed as a tragic figure, Albert Namatjira was the first Aboriginal artist to be recognised internationally, having made a lasting contribution to Australian art through romantic depictions of the desert that have become synonymous with our vision of the Australian outback. Following an exhibition of paintings by a small group of European artists lead by Rex Battarbee in the Hermannsburg community in 1934, Albert approached the mission superintendent for help in obtaining paint and paper. These were set aside for him until Battarbee returned to the community in 1936. He pleaded to be taken on as a camel man for the painting trip that year and during the subsequent months demonstrated a natural gift for painting. The expedition proved to be an exchange in which, in return for Albert’s guiding expertise Battarbee taught him his method of landscape watercolour painting. Albert’s skill so impressed Batarbee that he noted after only a brief period 'I felt he had done so well that he had no more to learn from me about colour' (Morphy 1998: 268). Namatjira’s aptitude in capturing the high colouring of the desert landscape, the gorges and valleys of the country of his birth and his Dreaming, brought him instant success. At his first exhibition in Melbourne during 1938 all 41 watercolours sold within a few days. Prior to this exhibition he had simply signed his works ‘Albert’ but added his father’s tribal name after that time. This was followed by another highly successful exhibition in Adelaide during which 20 paintings sold in the first half hour, and the Art Gallery of South Australia purchased a major work, the first of his paintings to be purchased by an Australian public gallery. By this time Albert had already become one of Australia’s best-known artists. Indeed Alison French, curator of his 2002 National Gallery of Australia retrospective, relates how, in 1951, a small blue envelope reached the post office in Alice Springs addressed simply to ‘Albert Namatjira. Famous Aboriginal Artist. Australia.’ It had been posted in India by an autograph hunter. Namatjira painted almost all of his paintings during the winter months and they were almost all landscapes. He did, however, paint the occasional work with groups of figures. During the Second World War he he began to sell paintings directly to colletors for between one and five guineas each. Soon he had so many orders that it was decided that an Advisory Council should be established to supervise both the standard and sale of his works. Albert was told to restrict himself to just 50 works per year, and that his prices should be fixed between three and 15 guineas. However, his next show in Melbourne was another great success with works selling for up to 35 guineas. In 1945, a successful exhibition netted 1,000 guineas and allowed him to build his cottage a few kilometres from Hermannsburg. Following this success, he took a number of other Aranda artists including his sons Enos and Oscar and the three Pareroultja brothers on his painting expeditions with him. They spawned a movement of naturalistic watercolours in the European tradition of classical landscape painting. The movement termed the Hermannsberg school, the name of the Lutheran church mission station where Albert was born, was the first significant transitional art movement to emerge from Aboriginal Australia. By this time Albert already had ten children. In 1946 he received a visit from His Royal Highness the Duke of Gloucester, then Governor General of Australia, and a work was presented to Princess Elizabeth on her 21st birthday. Other successful shows followed and Charles Mountford and Axel Poignant made the film Namatjira, the Painter in 1948. However, his adaptation of a European medium brought with it a bitter twist. Albert’s 'paintings were undoubtedly appreciated because of their aesthetic appeal, but they were at the same time a curiosity and a sign that Aborigines could be civilised' (Morphy 1998: 270). In an era of cultural assimilation, his ability to paint as a white man gave proof 'that Aboriginals would eventually merge into white society and loose their cultural identity' (Beier 1986: 32). Thus Geoff Bardon wrote 'eulogies focused on the miraculous fact of his aboriginality, never just his art' (1989: 19). Indeed, Namatjira was awarded citizenship by the Australian government, an awkward symbol that his adoption of European traditions elevated his status as a human being. Ironically he became the first Aboriginal to be listed in Who’s Who in Australia. His perceived 'assimilation' would later bring his work in to disrepute. It became seen as a symbol of subordination, most especially after 'a group of Aboriginal artists from Papunya quietly carried out a cultural revolution that would totally debunk the theory off assimilation,' during the 1970's. They clearly demonstrated the possibility that Aboriginal culture could interact with the modern world, without compromising its own artistic traditions (Beier 1986: 34). It has only been with hindsight that Namatjira’s work has undergone a reassessment. In more recent times his work has been cited as 'evidence of a tradition of resistance that represented an Aboriginal perspective on the landscape of central Australia, albeit through a European medium' (Morphy 1998: 265). Regardless of how acutely Albert intended his works to resist assimilation, what was restored in this reappraisal was a recognition that his work portrayed his traditional connection to his land. Namatjira’s style, upon reconsideration is distinctly his own. Interestingly Namatjira painted most of his desert country from a slightly elevated point of view, as if looking down, ever so slightly on the landscape. He was able to capture the subtleties of colour as the desert changes from the soft tones of summer heat, to the rich colours of the early morning and late evening light. The majority of his paintings lack a central focal point yet,'a visual emphasis on the edges holds the composition in balance without either a dominance of forms near the centre or a hierarchy of forms’ (Morphy 1998: 273). Unfortunately human life is often more vulnerable than the pendulum of social acceptance and opinion. Namatjira passed away in tragic circumstances in 1959, after being jailed for bringing alcohol into his community. Cruelly, though his citizenship gave him the right to buy alcohol, it did not permit him to share it with other members of the community. While Albert Namatjira is 'often characterized as a tragic figure trapped between two worlds and two art traditions' (Bardon 1989: 18) his paintings of the Western MacDonnell Ranges, Mount Sonder and the surrounding desert have endured to become synonymous with a romantic vision of the Australian outback. His paintings have 'opened our eyes and our senses to new ways of seeing the centre' (French 2002: 1), forever usurping the sightless colonial appraisal of the desert as a barren wasteland. Albert Namatjira is one of Australia’s most enduring artists and was the first Aborginal painter to be recognised internationally. He began painting in the early 1930s, and while the average price paid for his works rose steadily subsequent to his death in 1959 the record price for one of his paintings was still just $5,500 at the begining of the 1980s. In 1986 however, Christies sold Large Ghost Gum, estimated at $5000-7000, for what was at that time, a staggering $15,000. During the next two years,1987/1988, all works offered at auction were sold and Sotheby’s set an auction record of $37,400 with White Gums, Central Australia. This lasted just four months before being pipped by a painting titled Central Australian Ranges, which sold for $38,000. By 1986 Namatjira’s average had already leaped to around $15,000 and increased by a further 22% just two years later in 1988 when the average price paid at auction for the 15 works sold was $20,567. While results were similar in 1989, from that point onward interest in his work went in to a steep decline. This was due, in part, to the overall collapse in the Australian art market. Few of his paintings appeared at auction during the following seven years and by 1998 the average price of the ten paintings sold that year was just under to $18,000. Nevertheless, at the dawn of the secondary market for Aboriginal art in 1994, the year Sotheby’s held their first specialist sale, works by Albert Namatjira held 43 of the highest 50 results ever achieved for Aboriginal paintings. They occupied all of the highest ten results other than the record setting work credited to Tommy McRae. By the following year his highest priced work had dropped to seventh on the all time list and only 22 remained amongst the top 50. A year later only six remained. By 2002, the year of the important exhibition Seeing the Centre: The Art of Albert Namatjira 1902-1959, curated by Alison French for the National Gallery of Australia, not a single work by Namatjira remained amongst the highest 50 prices achieved for Aboriginal artworks. However this exhibition provoked a re-evaluation of his work and re-invigorated interest in his paintings. Between 2003 and 2006 prices steadily increased from the nadir in the late 1990s, to an average price close to $25,500. In November 2005 Christies achieved a record of $50,190 for Neey-Too-gulpa, (Lot 26). Measuring 35.5 x 46.5 cm, it had been estimated at $35,000-45,000. In Deutscher-Menzies final sale of that year, another work of similar size sold for $48,000 (Lot 25). In fact, all of the artist’s top ten results have been achieved since 2003 with over 50 sales recorded as having exceeded $30,000. It is difficult to trace all of the works offered in order to detect which works failed to sell, and were subsequently successful at auction. The duplication of titles, the lack of dates on most of his works, and inconsistencies in measurements, is far too confusing. However investors should note, that of the top 50 results achieved for this artist, the vast majority have sold for between 5% and 20% above their high estimates. Even when looking at works in the lower price range, valuations by auction houses have continually underestimated the level of interest, and the amount collectors were prepared to pay. The prejudice against Namatjira amongst some appraisers during the first decade of the 21st century was ‘out of kilter’ with the public's enchantment with his works. This prejudice did not continue post 2005. In 2006 when Sotheby’s sold Ghost Gum, 36 x 24.5 cm for $58,800 (Lot 35), and Mt Heuglin, 35 x 35 cm for $52,800 (Lot 16). Both sold well above their high estimates. Then, in October, at their Aboriginal fine art sale which featured important works from the Wallent Collection, Sotheby’s achieved a new high water mark for the artist. A rare depiction of the early Hermannsburg mission, Hermannsburg Mission with Mt Hermannsburg in Background 1936 or 1937 , estimated at $40,000-60,000 sold for $96,000 smashing the previous record by more than $30,000 (Lot 23). In 2008, despite the gloomy art market overall, another undated but beautiful image called simply Ghost Gum sold for the artist's second highest record (prior to 2016) of $66,000 at the Sotheby’s October sale (Lot 168). Again in 2009 an impressive result for Ghost Gums, Central Australia saw the vendor realise $61,200, the artist's current sixth record. Since the beginning of 2010 Namatjira's success rate at auction has been higher than that of any other individual artist. It has consitently oscillated between 70 and 93%. The artist's highest price ever was set in 2016 when an iconic image of the early Hernmannsburg mission sold for $122,000. Another very lovely image of Ormiston Gorge sold in the same auction for $85,400. Albert Namatjira was the 3rd most successful artist of the year in 2009 and 2nd most successful in every year subsequently other than 2014 when he finished on top of the list. In 2018, 25 of 27 works found buyers with one painting entering is top 10 results having sold for $63,250. In 2019, 24 sold of 28 offered and a work sold for $73,200, displacing others to become his 5th highest result. These results, and the affection in which Albert Namatjira is held in the national psyche, should ensure that prices for his most successful works will continue to steadily increase over time despite any changes in taste and fashion. Explore our artworks See some of our featured artworks below LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KURLURRNGALINYPA JUKURRPA Price From AU$13,500.00 JOANNE CURRIE NALINGU - FLOW STATE Price AU$25,000.00 BRONWYN BANCROFT - UNTITLED Out of stock JOSHUA BONSON - SKIN: A CELEBRATION OF CULTURE Price AU$8,500.00 MINNIE PWERLE - AWELYE - ATNWENGERRP Price AU$25,000.00 BOOK - KONSTANTINA - GADIGAL NGURA Price From AU$99.00 ANGELINA PWERLE NGAL - AHARLPER COUNTRY Price AU$25,000.00 FREDDIE TIMMS - MOONLIGHT VALLEY Price AU$35,000.00 BILL TJAPALTJARRI WHISKEY - ROCKHOLE NEAR THE OLGAS Price AU$3,500.00 NEIL ERNEST TOMKINS - BURN THERE, DON'T BURN THERE Price AU$7,000.00 SHOP NOW

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All Posts News Auctions Exhibitions Press Gallery Update Artist Profile Charity How to buy Event Region Profile Search Specialists on Tour Specialists on Tour - Darwin 8-12 August 2024 Invitation to Consign Final Submissions for our First Nations Fine Art Auction | November 2024 Vale Yampinyi Napanangka Simon (1928 - 2024) Our heartfelt condolences to the family and the artists and staff at Warnayaka art centre, with the passing of Yampinyi Napanangka Simon. Tax Break on art before EOFY Tax Break on art before EOFY. Government scheme to assist in acquiring artwork for your business As we approach the end of the financial ye Wumera Nangamay: A Salt Lake Series Cooee Art Leven is excited to announce the opening of Konstantina’s latest exhibition ’WUMERA NANGAMAY - A SALT LAKE SERIES’ - an evocative Amy Loogatha | Exhibition Opening Bada Warrku | Late Afternoon Sun is the first of two solo exhibitions awarded as part of the Inaugural Cooee Art Leven Gallery Prize. The pr Region Profile - Warumpi (Papunya) The Papunya settlement 240 km northwest of Alice Springs (Mparntwe), was established during the 1960s as an administrative centre for forcib Artist Feature - Nyuju Stumpy Brown (1924c. - 2011) Language: Wangkajunga Region: Kimberley Community: Fitzroy Crossing Art Centre: Mangkaja Arts Outstation: Kukapunyu... Gadigal Ngura - Exploring a Gadigal Artist's Love Affair with Her Country 220 page hard cover coffee table book telling the lost histories, Ceremonies and Culture through Art Konstantina is a proud Gadigal,... ANTARA by Tuppy Ngintja Goodwin “When I paint, it’s like inma (ceremonial dance and song)." "This is Antara, a sacred place for Anangu, and the Maku Tjukurpa (witchetty... Billy Benn Perrurle - Featured Artist Billy Benn Perrurle was born in the Harts Range, 200 km northeast of Alice Springs. As a young man, he worked in the local mine and... AUCTION RESULTS - The Rod Menzies Estate | Indigenous Art Collection | Part II It's a Wrap! Two years after his death, the late Rod Menzies’ collection of Australian Aboriginal art has been sold in its entirety.... Judy Watson Napangardi (c.1925 - 2016) Born on Mt. Doreen Station, north-west of Alice Springs circa 1925, Judy Watson Napangardi grew up in the vast Warlpiri... MUŊURRU found metal sign etchings - by Bandarr Wirrpanda These works from Buku-Larrnggay Mulka in Yirrkala, North East Arnhem Land, NT are part of the group exhibition 'Game, Set, Match',... Angelina Guluwulla Karadada Boona This series of works from Waringarri Aboriginal Arts/Kira Kiro Artists is part of the current group exhibition 'Game, Set, Match',... Perspex Perspective This set of three works from Mangkaja Arts is part of the current group exhibition Game, Set, Match. Joanne Currie Nalingu & Joshua Bonson JOANNE CURRIE NALINGU It Flows 14 December 2023 - 13 January 2024 17 Thurlow Street, Redfern, NSW, 2016 JOANNE CURRIE NALINGU RIVER SAND... Exhibitions Opening - It Flows & Ancestor’s Footsteps Exhibitions Opening Thursday 14th December 6 - 8pm Joanne Currie Nalingu - It Flows & Joshua Bonson - Ancestor’s Footsteps While opening... NGARUKURUWALA KAPI MURRUKUPUNI - we sing to the land Cooee Art Leven Final days. Ends 9 December 2023 Munupi Arts & Crafts Association is located along Melville Islands North-Western... Staff Favourites - Ksenia Radchenko Ksenia Radchenko Auction Administrator Working in the auction department at Cooee Art Leven provides me with the incredible opportunity... ARCHIVED NEWS

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Search Results All (2881) Artworks (1883) Content (940) Events (15) Blog Posts (43) 2881 items found for "" Artworks (1883) QUEENIE MCKENZIE - JESUS OVER TEXAS AU$7,500.00 LORRAINE AUSTIN - 13 AUGUST ALONE SERIES AU$350.00 NUNGARRAYI MYRA HERBERT - YINAPAKA DREAMING AU$900.00 View All Content (940) Selma Napanangka Tasman - Artist Profile - Cooee Art Leven < Back Selma Napanangka Tasman ​ Selma Napanangka Tasman ​ ​ ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE top Anchor 1 PROFILE Selma Napanangka Tasman ​ ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback . Genevieve Kemarr Loy - Artist Profile - Cooee Art Leven < Back Genevieve Kemarr Loy ​ Genevieve Kemarr Loy ​ ​ ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE top Anchor 1 PROFILE Genevieve Kemarr Loy ​ ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback . Sarah-Jane Nampijinpa Singleton - Artist Profile - Cooee Art Leven < Back Sarah-Jane Nampijinpa Singleton ​ Sarah-Jane Nampijinpa Singleton ​ ​ ARTIST PROFILE ARTIST CV MARKET ANALYSIS READ FULL ARTIST PROFILE top Anchor 1 PROFILE Sarah-Jane Nampijinpa Singleton ​ ARTIST CV Market Analysis MARKET ANALYSIS Disclaimer: At Cooee Art Leven, we strive to maintain accurate and respectful artist profiles. Despite our efforts, there may be occasional inaccuracies. We welcome any corrections or suggested amendments. Please contact us with your feedback . View All Events (15) Artist Talk & Workshop Tickets: A$0.00 6 Macquarie St, Sydney NSW 2000 Biddy Timms Napanangka - Her Meditations August 3, 2024 | 5:00 AM 17 Thurlow St, Redfern NSW 2016, Australia VIP One on One Tickets: A$0.00 June 15, 2024 | 6:00 AM 17 Thurlow St, Redfern NSW 2016, Australia View All Blog Posts (43) Buying from the Art Leven Gallery PAYMENT OPTIONS EFT – Electronic Funds Transfer – Free of charge Cash and/or cheque – Free of charge Visa, MasterCard OR AMEX– Payment using a Visa, MasterCard or Amex online, via the phone or in person at the gallery incurs a 2% surcharge PayPal – Incurs a 2% surcharge Payment Plans & Lay-bys – Found the work you love but need some time to pay it off? Ask us for lay-by terms Art Money – Provides interest-free loans to buy for Australian citizens SHIPPING & DELIVERY OPTIONS Each artwork is unique and therefore each requires different packing and shipping requirements. Cooee Art organises freight of artworks throughout Australia and worldwide and provides quotes on a case by case basis. Contact the gallery if you would like to get a quote for packing and delivering a particular artwork to your home or work. The majority of paintings available at the gallery are able to be sent rolled or stretched. For example, an average size painting measuring 150 x 120 cm will cost: To send within Australia – Rolled and sent in a tube – average price $120 Stretched and delivered locally in Sydney – average price $150 Stretched and sent to Brisbane, Melbourne, Canberra – average price $275 To send overseas – Rolled and sent in a tube – average price $250 Stretched and crated – average price $1,200 For a detailed quote on any artwork simply fill in the inquiry form found next to each artwork with your address and phone number mentioning in the comment section that you would like a delivery quote and one of our staff members will be back to you shortly. STORAGE POLICY Cooee Art is able to store your artwork on site for 60 days of the initial purchase date, unless otherwise discussed with the Gallery Manager. If the artwork is not collected or shipped by then, we will charge a $5 per day per work storage fee. EXCHANGE POLICY We are all human and change our minds from time to time. Cooee Art offers to exchange artworks purchased by its clients for works of the same or lesser value within two weeks of the initial date of purchase provided the original artwork is returned in good condition. Any additional costs associated with the exchange such as framing, freight or delivery are the responsibility of the buyer. RETURNS POLICY We understand that buying a work of art is not something that you do every day. It can be especially difficult for those that buy an artwork without the opportunity to view it in person. Cooee Art offers any client that has not personally viewed the painting before purchase, a full refund if the artwork does not meet their approval upon delivery. THIS OFFER IS MADE UNDER THE FOLLOWING CONDITIONS: The refund is for the cost of the artwork itself and not for the extra freight and packaging costs associated with the sale. Artwork was not purchased on a Lay-by agreement or through Art Money The buyer must contact the gallery within 48 hours of receiving the artwork to inform the gallery manager of their decision to return the work. The buyer will pay for the cost of the return delivery of the artwork. The buyer agrees to return the artwork within two weeks of its arrival at their home or business address. The refund will be paid in full via EFT only if the artwork is received in the same condition as it left the gallery. LAY-BY TERMS When purchasing an artwork using a Lay-by agreement, the payments made towards the artwork are non-refundable. However, we can offer you the opportunity to transfer the payments and or deposit to a credit note. Giving you the opportunity to find the right painting for you. DEPOSITS Deposits on artworks are non-refundable but we will transfer the amount paid to another artwork or supply you for a credit for the full amount. MISCELLANEOUS This agreement will be governed by and construed in accordance with the laws of New South Wales, Australia. You irrevocably and unconditionally submit to the non-exclusive jurisdiction of the courts of New South Wales. If any provision of this agreement is found to be invalid or unenforceable by a court of law, such invalidity or unenforceability will not affect the remainder of the agreement, which will continue in full force and effect. All rights not expressly granted herein are reserved. DISCLAIMER All information on this website has been compiled from material currently available in the public domain. Its re-presentation is available without charge to subscribers in a manner consistent with the fair dealing provisions of the copyright act. Cooee Art P/L has attempted to make contact with the author and or creator of all the images used on the website. If the author and or creator of an image has been wrongly attributed, Cooee Art P/L is happy to make any necessary changes but will not be made liable to any copyright infringements. Specialists on Tour Darwin 8-12 August 2024 (Perth, Melbourne and Adelaide Dates to be confirmed) Our senior specialist team of Mirri Leven & Emma Lenyszyn will be travelling to the 2024 Darwin Aboriginal Art Fair & the Telstra National Aboriginal and Torres Strait Art Awards (NATSIAA). We are taking appointments with potential vendors. If you are interested in selling your artwork or are just curious to find out its value, feel free to reach out. Mirri Leven | Owner & Director 0416 379 691 mirri@artleven.com Emma Lenyszyn | Indigenous Art Specialist 0400 822 546 emma@artleven.com Invitation to Consign Final Submissions for our First Nations Fine Art Auction | November 2024 After two back-to-back 100% clearance-rate single-vendor auctions, we are delighted to extend our invitation to consign for our next multi-vendor auction. This November auction is already three-quarters consigned with only limited spaces open. We remain the only specialist auction house dedicated to showcasing our most celebrated Australian Aboriginal artists. We are proud to provide an unmatched level of advice and expertise, ensuring that each artwork receives the respect and attention it deserves. If you have a single artwork or a collection that you are considering to sell, contact one of our specialists at the gallery for a complimentary appraisal or fill in the online artwork submission form by clicking the link below. View All

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Date and time is TBD | Parliament House - Fountain Court Artist Talk & Workshop Artist talk and workshop Tickets are not on sale See other events Time & Location Date and time is TBD Parliament House - Fountain Court, 6 Macquarie St, Sydney NSW 2000 About the event Attend an Artist talk and workshop by Konstantina with Ochres. If you are interested in this event please send us your contact details via the ticket link so we can reach you with Date and Times. Show More Share this event

ARTWORKS Art Leven (formerly Cooee Art) curates ethically sourced art from Australian Indigenous communities that we have formed relationships with for 42 years. Our gallery team travels regularly to remote areas of Australia to meet with artists to consign artworks. ​ Artworks arrive in our online shop and our gallery spaces weekly. Shop new arrivals that coincide with our monthly exhibition program. Are you looking for affordable gifts? Filter by Category All - Painting - Painting on Board - Artefacts - Bark - Batik - Print - Sculpture - Woven/Fibre - Photograph - Watercolour - Work On Paper - Misc - First Nations Artist - Project Artist Price AU$0.00 AU$220,000.00 Size - Small - under 120cm - Medium - 120 to 180cm - Large - over 180cm Sort by EMILY KAM KNGWARRAY (KAME KNGWARREYE) - SUMMER BUSINESS Price AU$175,000.00 EMILY KAM KNGWARRAY (KAME KNGWARREYE) - ALALGURA Price AU$220,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI- NGALYIPI JUKURRPA Price From AU$7,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI -NGARLKIRDI JUKURRPA Price From AU$7,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - PARRAJA JUKKURPA Price AU$12,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KARNTA JUKURRPA (WOMEN’S D Price AU$10,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KARNTA JUKURRPA (WOMEN’S D Price From AU$11,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - KARNTA JUKURRPA (WOMEN’S D Price From AU$4,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAY - KANTA JUKURRPA Price From AU$4,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - WARDIYKA JUKURRPA Price From AU$7,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - WARDIYKA JUKURRPA Price From AU$10,500.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI- NGALYIPI JUKURRPA Price From AU$7,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI- KARNTA JUKURRPA (WOMEN’S DR Price AU$8,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI- KARNTA JUKURRPA (WOMEN’S DR Price AU$12,000.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAYI - NGALYIPI JUKURRPA Price From AU$11,800.00 LILY YIRDINGALI JURRAH HARGRAVES NUNGARRAY - WARDILYKA JUKURRPA Price From AU$11,000.00 EMILY KAME KNGWARREYE - AWELYE (BODY PAINT) Price AU$35,000.00 DANIE MELLOR - TRUNK SHIELD Price AU$5,000.00 LYDIA BALBAL - MARTAKULU Price AU$5,000.00 PATJU PRESELY - NGIRPANTA Price AU$12,000.00 SALLY SCALES - 282 - 24AS Price AU$5,000.00 POLY NGAL - ANWEKETY (CONKERBERRY) Price AU$6,600.00 KONSTANTINA (KATE CONSTANTINE) - RED CENTER Price AU$2,600.00 WAWIRIYA BURTON - NGAYUKU NGURA - MY COUNTRY Price AU$18,000.00 BUY AN eGIFT CARD?