In the packing room today, we have works from Mirndiyan Gununa Artists on Mornington Island, Warakurna Art Centre and Martumili Artists.  Lookati (Bentinck) Community:  Mornington Island Language:  Kayardild Art Centre:  Mirndiyan Gununa Artists Artists "Pirrkili is a rockhole surrounded in all directions by permanent tali (sandhills), located Artists certificate.

Preceding her professional artistic career in the late 1980’s, she worked as a batik artist for 10 years of her brief but prolific eight-year painting career, Kngwarreye moved through a series of distinct artistic interwoven with Kngwarreye’s identity that upon her death, Interkwe was never painted by any other artist with large flat brushes just two weeks before her passing in 1996, mark a powerful culmination of her artistic You can feel the artist working through the layers, energising the field with every mark.

Alison paints with her mother Paulina (Jedda) Puruntatameri, her partner James Orsto and the other artists The Munupi artists, inspired by their natural lush environment and the Tiwi creation stories, are renowned

Journalist Nicholas Rothwell was one of many writers to refer to him as an outsider artist, a status Per Bindi Mwerre Anthurre Artists: Established in 2000, the Bindi Mwerre Anthurre Artists studio is the The Mwerre Anthurre Artists developed out of Bindi Enterprises, which was established in 1978 to provide beginnings, the collective grew into an essential and distinctive Aboriginal Art Centre with several artists

(1924c. - 2011) Language: Wangkajunga Region: Kimberley Community: Fitzroy Crossing Art Centre: Mangkaja Arts Outstation: Kukapunyu Senior law woman Nyuju Stumpy Brown was a custodian for ancestral lands at Ngapawarlu, in the Great Sandy Desert. Nyuju was the sister of Rover Thomas and was born at Kukapanyu (Well 39), she grew up in the desert but eventually followed the drovers north along the stock route to Balgo mission with her uncle, Jamili, a stockman. Nyuju later moved to Fitzroy Crossing. During an art career that spanned from the 1980s until 2008, she recreated the desert sites that she knew from her childhood, focusing on the Dreaming stories that belong to Ngapawarlu, Warrawarra, Jirntijirnti and other water sites along the Canning Stock Route. “Trees all around - hide that waterhole" My country - Ngupawarlu. Near Canning Stock Route. Living water, but salty one. You can drink him cold time, but not when he's hot - gets too salty. One woman been travelling in Dreamtime. Whole lot of women travelling, stop at that place Ngupawarlu. They travelling on law business. Big mob - going Alice Springs way. Trees all around - hide that waterhole. Then sandhill, jilji country all around. Like a big lake, trees grow inside lake. You can drink from side of lake - too salty in middle of lake. NYUJU STUMPY BROWN NGUPAWARLU,  2005 100 x 145 cm synthetic polymer paint on canvas $8,000 PROVENANCE Japingka Gallery, WA Private Collection, NSW

Though extensively exhibited on the West Coast, this will be the artists’ first solo presentation in Even now, most artistic practices still pursue goals separate from personal gain (more often than not If anything, elder artists are revered for the breadth and depth of their cultural knowledge rather than To say that the two artists mirror the act of conversation in their practice can feel, to some degree In the process of a work’s creation, the two artists’ brushstrokes gain the immediacy of a thousand half-formed

telling the lost histories, Ceremonies and Culture through Art Konstantina is a proud Gadigal, woman and artist She is a multi-award winning, nationally and globally represented artist who is painting her Gadigal This collection of contemporary and traditional stories have made their way to the artist by many means These stories have had a way of grabbing hold of the artist, and informing her practise in a way that

In 2015, he was mentored by performance artist Marina Abramovic. Australia for distinguished service to the visual arts as a sculptor, photographer, video and performance artist , and as a role model for young Indigenous artists.

Cooee Art Leven would like to extend our heartfelt condolences to the family and the artists and staff Yampinyi Napanangka Simon was a dear friend and dedicated artist and she leaves behind an immense artistic We were fortunate enough to visit her as recently as last May, along with Sydney artist Neil Tomkins,

remote community in the Great Victoria Desert, Hogan is a leading figure in the Spinifex Arts Project—an artist

. © The Artist and Mimili Maku TUPPY NGINTJA GOODWIN ANTARA, 2020 152 x 122 cm synthetic polymer paint

The Papunya painting style derives directly from the artists’ knowledge of traditional body and sand As the artists portrayed their Dreamtime creation stories for the public, they removed or concealed their