The Collectors Room: Highlights from the Secondary Market

THE COLLECTORS ROOM

Highlights from the Secondary Market

Alongside our exhibition Ngarukuruwala Kapi Murrakupuni Art Leven is proud to present a focused selection of secondary market works, led by Emily Kame Kngwarreye’s Alalgura Country, 1993. Placing these works in dialogue highlights the continuity of First Nations art, from community-driven practice alive today, to the landmark paintings that shaped international recognition of Frist Nations voices in global contemporary art. The timing resonates strongly with the Tate Modern’s forthcoming retrospective Emily Kam Kngwarray (10 July 2025 – 11 January 2026), underscoring the worldwide momentum surrounding her practice and the broader field.

This presentation speaks directly to Art Leven’s dual identity. Our exhibitions celebrate the innovation of living artists and their art centres, while our Collectors Room and auctions provide a platform for historically significant works to be rediscovered, contextualised, and placed into the hands of new custodians. Together, these complementary strands reflect our long-standing mission: to honour the strength and diversity of First Nations art while deepening its resonance in Australia and internationally.