EMILY KAME KNGWARREYE - AWELYE

 EMILY KAME KNGWARREYE
AWELYE,  1996
150 x 90 cm
Synthetic Polymer Paint on Belgian Linen
 
PROVENANCE
Utopia, NT
Delmore Dawns, NT  96C120Gallery Australis, SAPrivate Collection, Switzerland 
 
STORY
The network of lines traces the patterns of root growth of the finger yam, Anooralya and celebrates the Yam Dreaming for which Emily was custodian.The lines can also be related to Awelye where the body paint is replicated on the skin for ceremony.Always linked to Emilyā€™s validity of expression is Awelye, the ceremonial expression that releases the spiritual power that maintains naturesā€™ fertility and hardiness. Body painting lines are fundamental to the participatory role of women in ceremony. This practise is symbolically linked to this work and helps evoke an atmosphere of ceremony.The belief that good seasons  always return, that yam ā€�always comes backā€™, is fundamental to understanding the desert environment and therefore survival. A parallel layer of expression runs with the fundamental understanding of Awelye , that being of basic human nature, understanding it, and abiding by the rules set down by society in order that it too, will survive.
 
EXHIBITED
the atavistic* nerve *relating to or characterized by reversion to something ancient or ancestral,  Carriageworks from the 7th ā€“ 10th September 2017, Booth A11 Cooee Art